Discover the story of the fighter plane and pilots that helped win the Battle of Britain in World War II. Through people personally connected to the events, the film investigates the story of how the Spitfire, its stable-mate, the Hawker Hurricane and its great adversary, the Messerschmitt 109 came into being during the huge advances in aviation in the interwar period. And then how the pilots fared in combat, three miles up in the skies over Europe, Africa and Asia.

Sir David Attenborough explores the surprisingly vibrant seas that surround the British Isles. The vast watery wilderness around us is over three times the size of our land mass, and yet to many, our oceans remain a mystery. Full of colour and teeming with life, the seas of Britain and Ireland are crucially important to a range of wildlife. This episode goes beneath the waves to uncover the thriving habitats that exist along our 22,000-mile coastline.
In winter, clear evidence of the ocean’s abundance can be seen on a beach in Norfolk. Thousands of grey seals congregate on the shoreline to give birth. Britain and Ireland are home to 40 per cent of the world’s grey seals, and the number being born on our shore rises every year. Once the newly born pups are weaned, the females are ready to breed again, and heavyweight males enter violent, bloody fights to win a stretch of beach, and the females along with it.
Beyond the beach, the vibrant shallows contain several important habitats. Rich beds of seagrass are nurseries for a range of animals, while also acting as very important carbon storage areas. They are also home to one of the strangest fish in our waters, the seahorse. We follow a male and female as they perform a balletic mating dance in the water, delicately entwining their tails. The stakes are high, as these animals mate for life.
In a touching piece to camera, Sir David bids a fledging Manx shearwater chick farewell as it embarks on a 6,000-mile journey across the oceans to South America. There is no better example of how important the British Isles and its abundant seas are to the survival of wildlife worldwide.

David Attenborough explores Britain and Ireland’s grasslands, revealing the creatures that create them and the extraordinary stories they hide. From the coastal flower meadows in the Scottish Outer Hebrides to the rich open landscapes in the mountains of southern Ireland, we enter surprising and dramatic worlds.
In southern England, we meet an extraordinary bee that lives in chalk grassland, one of our rarest habitats, laying her eggs in empty snail shells. Meanwhile, in the colourful machair of the Hebrides, ringed plovers and lapwings strive to rear their families of tiny fluffy chicks and to save them for marauding gulls.
We travel back in time to explore the vast wild grasslands once found throughout our isles, before meeting herds of semi-wild horses, where males battle fiercely for the females. Today, they are helping to turn some of this land back to wilderness. And in our precious remaining pockets of flower-rich meadow, a remarkable conservation success story plays out. Once extinct in our isles, England now has the largest known populations of large blue butterflies. Their survival relies on a game of deception with red ants, which are tricked into adopting the butterfly’s unassuming but predatory caterpillars.
Our story then journeys to the mountains. Each morning in early spring, feisty male black grouse battle for prime position on their frozen breeding grounds. Their sole mission is to impress a female. Meanwhile, on south-facing scree slopes, dozens of adders emerge from hibernation to perform a surprisingly delicate courtship routine.
The episode concludes with a mighty battle in the wild mountains of County Kerry. This is the scene of an epic and spectacular rut between the largest land mammals in Britain and Ireland, red deer.
The grasslands of Britain and Ireland are under threat. We have lost 97 per cent of our species-rich meadows in the last century, as modern agriculture replaces these precious habitats. This episode shows just how important different types of grassland are to the species which call these islands home.

Jessie Buckley narrates the extraordinary story of the first transatlantic communications cable. In 16 August 1858, a short message is telegraphed from County Kerry to Newfoundland, 3,000km away: ‘Europe and America are united by telegraph. Glory to God in the highest, on earth peace, good will towards men.’ The Morse code message is conducted along the new underwater transatlantic telegraph cable laid across the bed of the Atlantic Ocean. Sending the same message by ship would have taken at least ten days, but the transmission takes just hours and heralds the dawn of the modern communications age.
The quest is driven by visionaries and pioneers. Among them are Cyrus Field, a wealthy businessman who, despite his immense success, ends his life in poverty; Samuel Morse, inventor of the telegraph and Morse code; Isambard Kingdom Brunel, the British engineer who pushes boundaries and budgets; and Belfast physicist Lord Kelvin, who calculates how to achieve what had hitherto been deemed impossible. Together, their ingenuity and relentless pursuit helps realise one of the great scientific accomplishments of their age for which Valentia, on Ireland’s remote western coast, is ground zero.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.