The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.
In the captivating second part of “Our Universe”, chapters 4 to 6 are presented together in an unmissable journey through the cosmos and life on Earth. These episodes delve deep into the elements that formed our world, the essential role of water, and the unseen forces that shape our lives. They offer an enthralling exploration of our place in the Universe. Dive in to experience this profound story of existence, from stardust to soulmates. In the fourth chapter, we uncover how the elements essential to life were forged in the hearts of stars. Following a green sea turtle’s quest across the ocean for these elements, this episode reminds us that life is built from the remnants of ancient stars. The fifth chapter takes us back to the miraculous arrival of water on Earth, exploring how this vital substance transformed a barren landscape into a thriving blue planet. In the final chapter we witness gravity’s grand influence on life, following two king penguins as their journey of attraction and survival unfolds against the cosmic force that binds us all.
In 1915, the ship Endurance sank near Antarctica. Explorer Ernest Shackleton and his crew miraculously survived. In 2022, the ship was discovered, some 3000m beneath the water’s surface. Documenting contemporary polar explorers and drawing on original expedition footage preserved and restored by the BFI National Archive, Endurance is an inspiring celebration of scientific curiosity and the indefatigable human spirit of discovery. Maritime Heritage Trust locates Shackleton's shipwrecked Endurance near Antarctica. Shackleton and 27 crew survive incredible journey to South Georgia to seek rescue after ship sinks, showcasing human resilience against all odds.
Follow one man's hilarious journey as he goes deep undercover to infiltrate and expose the weird world of diversity, equity, and inclusion. Laugh, gasp and cringe at his real-life misadventures. From the white guys who brought you ‘What Is A Woman?’ comes their next great question, and America's next great movie, ‘Am I Racist?.’ Matt Walsh goes undercover in the world of DEI (Diversity, equity, and inclusion organizational frameworks), hilariously skewering the absurdity of race hustlers. Prepare to be shocked by how far the grifters will go and how much further Matt Walsh will go to expose them.
The rainforest is home to more species of plants and animals than any other habitat on the planet. But for humans, life there is not as easy as it looks. Life in the trees requires great skill, ingenuity and sheer bravery. The Matis of Brazil carve 4-metre-long blow-pipes to hunt monkeys - in near total silence. Deep in the Congo forests, Tete defies death by scaling a giant tree using nothing more than a liana vine, and he must then negotiate an angry swarm of bees - all to collect honey for his family. Three children from Venezuela's Piaroa tribe venture deep into the jungle to hunt tarantulas - to toast for lunch! In West Papua the Korowai tribe show-off their engineering skills by building a high-rise home 35 metres up in the tree tops. Most memorable of all, in Brazil we join a unique monitoring flight in search an un-contacted tribe...
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.