There is a tendency to deny German culture the equal reverence of Italy or Spain, and this enlightening new series provides a wonderful opportunity to explore a great, yet often neglected, artistic tradition whose influence has been just as profound. Andrew Graham-Dixon concludes his exploration of German art by investigating the dark and difficult times of the 20th century. Dominating the landscape is the figure of Adolf Hitler, failed artist, would-be architect and obsessed with the aesthetics of his 1,000-year Reich". In a series of extraordinary building projects and exhibitions, Hitler waged a propaganda war against every form of modern art as a prelude to unleashing total war on the whole of Europe. After the war the shadow of the Third Reich persisted, Germany remained divided and traumatised. How would artists deal with a past that everybody wanted to forget? Journeying through the work of Otto Dix and George Grosz and the age of the Bauhaus to the post-war painters Georg Baselitz, Hilla Becher and the conceptual artist Joseph Beuys is a long and strange journey, but the signs that art has a place at the heart of the new reunited Germany are clearly visible.

Richard Rudgley goes in search of evidence of the barbarians of the dark ages, people whose names have for 1500 years been bywords for mindless brutality. The real truth about the barbarians who marched across Europe during the Dark Ages is more shocking than what you may know. Where did they come from? Who are their descendants? Are any of their techniques and inventions still used? Richard discovers the secrets of forgotten empires, and of mighty clashes throughout Europe. The art, society and cultural legacy of the barbarians are shown to have shaped and moulded the destiny of Europe even more than the Roman Empire.
In the first part of the journey through the Dark Ages we will be tracing the legacies of the Huns, Vandals and Goths, to ask whether the 'dark ages' represent a resurfacing of much older tribal lines. Sites in Austria show how sophisticated pre-Roman communities had become with evidence of stunning craftsmanship and sophisticated farming techniques which defy the image of a mindless rabble we have come to accept without challenge.

Thought-provoking documentary on war propaganda: how governments manipulate the facts and how most media let them get away with it. WWI, Vietnam War, post-2001 Afghanistan, post-2003 Iraq, Palestine: a historical account of PR, embedded journalism, lies and cover-ups, but also of courageous journalists who disclose the truth.

From the detection of gravitational waves generated in space over a billion years ago, to discoveries in genetics here on Earth, we've collected the most compelling science breakthroughs and advances of 2016. Thanks to magnificent, hard-working scientists and researchers around the world, science keeps marching ever forward. And this year saw some discoveries that are absolutely brimming with the promise of greater discoveries, breakthroughs and quality of life in the future.

Time travel is not forbidden by the laws of nature, but to build a time machine, we would need to understand more about those laws and how to subvert them than we do now. And every day, science does learn more. In this film Horizon meets the scientists working on the cutting edge of discovery - men and women who may discover how to build wormholes, manipulate entangled photons or build fully functioning time crystals. In short, these scientists may enable an engineer of the future to do what we have so far been only able to imagine - to build a machine that allows us travel back and forward in time at the touch of a button. It could be you! Science fiction? Watch this film.

What was the Wehrmacht? A group of obedient yeasayers? A murdering band of thugs? An army of millions of abused young men? This series in 5 parts provides differentiated and conclusive answers based on the latest historical and comprehensive investigative research, bringing many new facts to light – among them documents proving for the first time ever, what many among the officers actually thought. Blitzkrieg, the lightning war, in German incorporate modern weapons and vehicles as a method to help avoid the stalemate of trench warfare and linear warfare in future conflicts. The first practical implementations of these concepts coupled with modern technology were instituted by the Wehrmacht in the opening theatres of World War II. The strategy was particularly effective to Germany in the invasions of Western Europe and initial operations in the Soviet Union. These operations were dependent on surprise penetrations, general enemy unpreparedness and an inability to react swiftly enough to German offensive operations.