(Click CC for subtitles) Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented. Nominated for Best Documentary Award, the film has an undeniable and unshakable power. It is one of those documentaries where anyone who watches it won’t be the same person by the end as they were when it started. To Kill a Tiger offers the viewer remarkable access to village life, not just in the modest home where Ranjit’s family make roti on an open fire, but in the fields where they herd goats and collect water from a pump. The camera finds quiet details, like Ranjit’s daughter carefully weaving ribbons into her hair. Women and men insist that the community, not the criminal court, should solve the issue with a forced marriage—to remove the ‘stain on her’. The men become increasingly hostile—to the family, and eventually to the film crew itself.
In America the summer twilight brings out a magical display of glittering lights. Millions and millions of fireflies, an ethereal sight. But behind this twinkling facade is a fierce female setting a deadly trap. The femme-fatale of fireflies is part seductress, part vampire, as Reese shows us the fireflies' deadly trickery to provide nourishment to their young.
The second episode of the series immerses the viewer in a fascinating journey through the history of life on our planet, focusing on the evolution and adaptation of life in the seas. It begins billions of years ago, when the Earth was an inhospitable place and life was impossible on the surface due to a hostile environment. The documentary highlights how, beneath the waves, life began to flourish, protected from storms and other elements of nature. It addresses the development of photosynthesis by plankton and how this led to a significant change in the Earth's atmosphere, allowing the emergence of animal life. This visually stunning narrative chronicles the evolution of various forms of marine life, from the earliest complex life forms to the appearance of the first fish and cephalopods. The documentary shows how marine life has influenced terrestrial life, emphasizing the impact of the 'greening' of planet Earth.
As Chris bulks up for ‘Thor: Love and Thunder’ he needs to build a body that looks right for an immortal god. But, he also wants the kind of muscles that are scientifically proven to help him stay strong and healthy as he grows older in real life. Teaming up with extreme sports guru Ross Edgley, he trains for a grueling 100-foot rope climb challenge, changing him from an ornament into an instrument.
Nathan and Angela accelerate their parenting rehearsal with three-year-old, then six-year-old actors portraying their fake son, 'Adam'. Angela refuses to participate in Halloween due to her belief in Satanic conspiracies. Nathan balances parenting duties with a rehearsal for Patrick, a man who wants to confront his brother over their late grandfather's will, which bans Patrick from inheriting money if he is dating a 'gold digger'. The rehearsal occurs in a replica Raising Cane's restaurant in a warehouse next to the relocated Alligator Lounge. To introduce real emotions to the rehearsal, Nathan stages a scenario to convince Patrick that he could inherit buried gold from the grandfather of Isaac, the actor who plays Patrick's brother. After Patrick has an emotional breakthrough during a rehearsal, he leaves the production and never returns. Nathan narrates that he is envious that self-deception is easy for some people as he ponders his fake family.
Space exploration as we’ve never seen it before, taking us behind the scenes of how NASA creates and sends the James Webb Space Telescope into space. Follows a team of engineers and scientists in an ambitious mission to launch the telescope and take the next giant leap in the understanding of the universe.
To Kill a Tiger offers the viewer remarkable access to village life, not just in the modest home where Ranjit’s family make roti on an open fire, but in the fields where they herd goats and collect water from a pump. The camera finds quiet details, like Ranjit’s daughter carefully weaving ribbons into her hair. Women and men insist that the community, not the criminal court, should solve the issue with a forced marriage—to remove the ‘stain on her’. The men become increasingly hostile—to the family, and eventually to the film crew itself.