Intimate interviews and life stories of several people involved in the life of an inmate condemned to death in a Texas prison. We do not know when and how we will die. Death Row inmates do. Werner Herzog embarks on a dialogue with Death Row inmates, asks questions about life and death and looks deep into these individuals, their stories, their crimes.

The second part of this series begins with his return home after his discharge from the army, and how he dealt with a rapidly changing pop scene.
The picture is more complicated than even a fairly serious Elvis fan may understand. Priscilla Presley, who made some appearances in the first part, offers much more here, helping us understand how being forced into making a string of lousy movies was one kind of artistic prison, and then being ensconced in casino hotels for his famous Las Vegas residency was another. The man who had so carefully created his original persona was now stuck in the shallow roles others forced him to play.

(Click CC for subtitles) Hannes Rossacher's documentary is a great journey. It begins in summer 1988 on the Ostseestrand in East Germany and accompanies the band on their long, sometimes painful, but finally successful conquest of the American continents up until 2001. It continues with their farewell to the US after the events of September 11th and ends in front of thousands of cheering Americans in Madison Square Garden. For the documentary, Rammstein provided extensive, previously unreleased footage and photos from the band archive. In numerous interviews from various periods in the band's history, the band members speak about their experiences across the Atlantic.
Old and new friends and acquaintances, as well as many American colleagues, pay tribute to the band and recount anecdotes. Chad Smith (Red Hot Chili Peppers), Moby, CJ Ramone, Steven Tyler (Aerosmith), Iggy Pop, Gene Simmons and Paul Stanley from KISS, Wes Borland (Limp Bizkit), Marilyn Manson, Melissa Auf der Maur, Scott Ian (Anthrax), Jonathan Davis and Munky Shaffer from Korn, Shawn Crahan (Slipknot), director David Lynch, actor Kiefer Sutherland and many more.

The film follows the story of Abu Zubaydah, the first high-value detainee subjected to the CIA's program, of Enhanced Interrogation Techniques (EITs), later identified as torture by those outside the agency. Having never been charged with a crime or allowed to challenge his detention, Zubaydah remains imprisoned at Guantánamo Bay in Kafkaesque limbo, in direct contravention of America’s own ideals of justice and due process.
Twenty years on, The Forever Prisoner reveals the origins of the clandestine operations that led the United States, in the 'War on Terror,' on a path of cruelty, deceit, and self-deception. With first-hand accounts from the two interrogators to question Abu Zubaydah, a shocking interview with the chief architect of EITs, and an interview with Daniel Jones, former Senate Investigator, the film uncovers the incompetent and deceptive practices that the U.S. government followed in order to expedite and legalize EITs in the aftermath of 9/11. As a result, torture as a government policy was authorized by the United States for the first time in history.

Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a '27 Club' began to catch on in public perception, reignited with the death of Amy Winehouse in 2011.
Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.

Memory is the glue that binds our mental lives. Without it, we’d be prisoners of the present, unable to use the lessons of the past to change our future. From our first kiss to where we put our keys, memory represents who we are and how we learn and navigate the world. But how does it work? Neuroscientists using cutting-edge techniques are exploring the precise molecular mechanisms of memory". By studying a range of individuals ranging —from an 11-year-old whiz-kid who remembers every detail of his life to a woman who had memories implanted— scientists have uncovered a provocative idea. For much of human history, memory has been seen as a tape recorder that faithfully registers information and replays intact. But now, researchers are discovering that memory is far more malleable, always being written and rewritten, not just by us but by others. We are discovering the precise mechanisms that can explain and even control our memories. The question is— are we ready?