(Click CC for subtitles) Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented. Nominated for Best Documentary Award, the film has an undeniable and unshakable power. It is one of those documentaries where anyone who watches it won’t be the same person by the end as they were when it started. To Kill a Tiger offers the viewer remarkable access to village life, not just in the modest home where Ranjit’s family make roti on an open fire, but in the fields where they herd goats and collect water from a pump. The camera finds quiet details, like Ranjit’s daughter carefully weaving ribbons into her hair. Women and men insist that the community, not the criminal court, should solve the issue with a forced marriage—to remove the ‘stain on her’. The men become increasingly hostile—to the family, and eventually to the film crew itself.
Speculation is rife as fan favourite Aubameyang is stripped of his captaincy. After a bad run of results, the mood within the Arsenal camp is low and Mikel Arteta's decisions are under scrutiny. With Aubameyang no longer training with the first team, the focus shifts to the remaining players including Brazilian player Gabriel Martinelli. As Christmas approaches and Covid causes chaos in the league, Mikel Arteta is forced into isolation as the team prepare to face the reigning Premier League Champions, Manchester City.
The fourth part of the series focuses on the exciting and dramatic Formula 1 race in which Rubens Barrichello and Jenson Button, drivers of the Brawn GP team, fought for the championship. Rubens Barrichello leads the race. However, tension rises when Jenson Button, his teammate and main rival for the title, begins to gain ground. The narration intensifies with the description of technical problems and crucial strategic decisions. As the race unfolds, the internal dynamics of the Brawn GP team are explored, as well as the rivalry between the drivers and the pressure to win the championship. The narrative reaches its climax in the thrilling final laps, where victory and defeat are decided by small margins. The episode concludes with the celebration of victory and reflection on the significance of this race for the drivers, the team, and their place in the history of Formula 1. The documentary is a mix of on-track action, human and technical drama, and a deep exploration of what it takes to win at the highest level of motorsport.
The start of a new year brings the January transfer window and Mikel Arteta the chance to rebuild his squad. Arsenal continue their quest for silverware, competing in the FA and Carabao Cup, as well as still fighting for top 4. Meanwhile, questions over Aubameyang's future continue dominating the media and the club must come to a decision about what to do with their former captain.
This series delves into the intimate and often unexplored world of romantic relationships among individuals on the autism spectrum. Through a series of personal stories, viewers are offered a glimpse into the complexities, challenges, and triumphs that define these relationships. From the hesitant first steps of reaching out to a potential partner, the documentary captures the raw emotions and vulnerabilities of its subjects. Through these stories, the documentary paints a poignant picture of love's diverse expressions, emphasizing that the need for companionship and understanding transcends the bounds of neurotypical norms. In the fifth episode, Steve embarks on his first date in a year. Abbey's dream comes true. Connor rethinks a past decision. Dani attends a comic-con with an old flame.
To Kill a Tiger offers the viewer remarkable access to village life, not just in the modest home where Ranjit’s family make roti on an open fire, but in the fields where they herd goats and collect water from a pump. The camera finds quiet details, like Ranjit’s daughter carefully weaving ribbons into her hair. Women and men insist that the community, not the criminal court, should solve the issue with a forced marriage—to remove the ‘stain on her’. The men become increasingly hostile—to the family, and eventually to the film crew itself.