Three years in the making, Francis Whately’s film is a social and musical history of (probably) the world’s greatest music festival, as told by its principal curators, Michael and Emily Eavis, and many of the key artists who’ve appeared there between 1970 and 2019 – Billie Eilish, Thom Yorke, Florence Welch, Dua Lipa, The Levellers, Aswad, Orbital, Fatboy Slim, Linda Lewis, Noel Gallagher, Ed O’Brien, Chris Martin, Stormzy and more.
Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere.
This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.

David Attenborough concludes his epic history of the evolution of flight with an exploration of the highly advanced fliers that dominate our skies today – the extraordinarily diverse skills of the birds, and the sonar-guided precision of the bats. He encounters some of our planet’s most remarkable fliers – from peregrine falcons dive-bombing starlings over Rome, to hummingbirds hovering in the cloud forests of Ecuador. In a spectacular finale, he visits Gomantong cave in Borneo to witness the mass exodus of a million bats.

There is a tendency to deny German culture the equal reverence of Italy or Spain, and this enlightening new series provides a wonderful opportunity to explore a great, yet often neglected, artistic tradition whose influence has been just as profound. Andrew Graham-Dixon concludes his exploration of German art by investigating the dark and difficult times of the 20th century. Dominating the landscape is the figure of Adolf Hitler, failed artist, would-be architect and obsessed with the aesthetics of his 1,000-year Reich". In a series of extraordinary building projects and exhibitions, Hitler waged a propaganda war against every form of modern art as a prelude to unleashing total war on the whole of Europe. After the war the shadow of the Third Reich persisted, Germany remained divided and traumatised. How would artists deal with a past that everybody wanted to forget? Journeying through the work of Otto Dix and George Grosz and the age of the Bauhaus to the post-war painters Georg Baselitz, Hilla Becher and the conceptual artist Joseph Beuys is a long and strange journey, but the signs that art has a place at the heart of the new reunited Germany are clearly visible.

Andrew Graham-Dixon begins his exploration of German art by looking at the rich and often neglected art of the German middle ages and Renaissance. He visits the towering cathedral of Cologne, a place which encapsulates the varied and often contradictory character of German art. In Munch he gets to grips with the earliest paintings of the Northern Renaissance, the woodcuts of Albrecht Durer and the cosmic visions of the painter Albrecht Altdorfer. Andrew also embarks on a tour of the Bavarian countryside, discovering some of the little-known treasures of German limewood sculpture.

Professor Brian Cox continues his epic exploration of the cosmos by looking at the faint band of light that sweeps across the night sky - our own galaxy, the Milky Way. The Sun is just one of almost 400 billion stars that form this vast, majestic disk of light, our own home in the universe. Thanks to a cutting-edge space we’re finally able to reveal the Milky Way’s dramatic history and predict its cataclysmic future.
Our galaxy started out a fraction of the size it is today, and Gaia telescope has revealed how it grew over the eons. Beautifully rendered VFX based on the very latest Gaia data has uncovered the remarkable story of our galaxy’s evolution. As our young galaxy encountered rival galaxies, it experienced a series of violent growth spurts and intense periods of cataclysmic change while battling to survive. Each time our galaxy feeds, a new era of star formation begins, fuelled by incoming torrents of fresh gas and energy. And there is another collision to come. Another, larger galaxy is coming our way. Andromeda is heading straight for us at a quarter of a million miles per hour. The Milky Way’s long-term fate is in the balance.

Following engineers and scientists on a groundbreaking mission as they build, test and launch the James Webb Space Telescope, the most powerful observatory ever constructed, and discovers the astonishing cosmological enigmas it will investigate. Using the latest CGI animation technology, the film will follow the journey and share the incredible cosmological images and mysteries that scientists believe the telescope will capture.
This super-telescope is the next generation successor to the Hubble Space Telescope, with a mirror 6 times bigger. It will also be able to peer back in time. For the first time in space exploration, scientists will be able to explore the formation of the first stars and galaxies and search for planets that can support life.