Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow's unforgettable body of work and involving archival footage, Cheryl Dunn's exceptional portrait captures his all-too-brief life of reckless excess and creativity.
Sir Roger Penrose is more than just a fan of MC Escher's mind-bending art. During the course of a long creative collaboration, the British mathematician and the Dutch artist exchanged ideas and inspirations. Some of Escher's most iconic images have their origin in Penrose's mathematical sketches - while the artist's work has served as a starting point for the professor's own explorations of new scientific ideas". To coincide with the first ever Escher retrospective in the UK, Penrose takes us on a personal journey through Escher's greatest masterpieces - marvelling at his intuitive brilliance and the penetrating light it still sheds on complex mathematical concepts.
There is a tendency to deny German culture the equal reverence of Italy or Spain, and this enlightening new series provides a wonderful opportunity to explore a great, yet often neglected, artistic tradition whose influence has been just as profound. Andrew Graham-Dixon concludes his exploration of German art by investigating the dark and difficult times of the 20th century. Dominating the landscape is the figure of Adolf Hitler, failed artist, would-be architect and obsessed with the aesthetics of his 1,000-year Reich". In a series of extraordinary building projects and exhibitions, Hitler waged a propaganda war against every form of modern art as a prelude to unleashing total war on the whole of Europe. After the war the shadow of the Third Reich persisted, Germany remained divided and traumatised. How would artists deal with a past that everybody wanted to forget? Journeying through the work of Otto Dix and George Grosz and the age of the Bauhaus to the post-war painters Georg Baselitz, Hilla Becher and the conceptual artist Joseph Beuys is a long and strange journey, but the signs that art has a place at the heart of the new reunited Germany are clearly visible.
How should art depict the relationship between man and God? How can art best express eternal values? Can you and should you portray the face of Christ? For over 1,000 years these were some of the questions which taxed the minds of the greatest artists of the early West. In this three-part series, art historian Andrew Graham-Dixon sets out to unravel the mysteries of art from the pre-perspective era". In the first episode, Andrew traces the beginnings of Christian art in the declining Roman Empire, Egypt and medieval France, and reveals the ideas which lay behind the transition
Arguably the most powerful painting about war ever achieved. It portrays the slaughter of civilians after Napoleonic troops entered Madrid in 1808. The programme reveals the historical truths behind the painting and shows exactly how Goya achieved this masterpiece of protest. he painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era. According to the art historian Kenneth Clark, The Third of May 1808 is 'the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention'. Discover how Goya used drawings by authentic witnesses to depict a real firing squad.
Waldemar Januszczak sets out to uncover the secret meanings hidden in four famous paintings by Van Gogh, Gauguin, Cezanne and Seurat. Everyone knows the pictures. They are among the most celebrated masterpieces of art. And yet, hidden inside them are codes and puzzles that no one has been able to decipher. Van Gogh’s Self-Portrait with Bandaged Ear was painted soon after he cut off his ear with a razor. But how much do we really know about it? In a far-ranging investigation, Waldemar Januszczak delves into the clues hidden in the painting. The result is a tale of geishas, brothels, bullfights, love affairs, suffering and a fiery relationship with Gauguin. The work has a powerful secret message, if you know what to look for.
Drawing from Snow's unforgettable body of work and involving archival footage, Cheryl Dunn's exceptional portrait captures his all-too-brief life of reckless excess and creativity.