The publication of Salman Rushdie's novel The Satanic Verses in 1988 sparked a culture war in Britain between those in the Muslim community, who considered the book blasphemous and called for the book to be banned, and those defending it as an expression of freedom of speech. Protests, which began in the north of England, soon spread across the UK and to the rest of the Islamic world, culminating in February 1989 with Iran's Ayatollah Khomeini issuing a fatwa - a death sentence on the writer.
Now, 30 years on, broadcaster and journalist Mobeen Azhar embarks on a journey, starting in his native Yorkshire where the protest first began, to examine the lasting effect the book has had on the Muslim community and how the events of 1989 continue to have an impact today.

This is a film for all who hunger for a deeper meaning to existence, and a more unified way of living with one another, with all expressions of life. Just imagine a world that didn't rely on opposites (us/them, rich/poor, black/white, gay/straight, human/animal, etc.), but rather a world that perceived only wholeness. UNITY presents the notion of a world in which we are all equally valued, even though we are not the same: Human, Animal, Tree.

The film is focused on and celebrating the radical changes in postwar Britain under the Labour government of Clement Attlee, which came to power in 1945. Relying primarily on archive footage and interviews, and without a narrative voiceover, the documentary recounts the endemic poverty in prewar Britain, the sense of optimism that followed victory in World War II and the subsequent expansion of the welfare state, founding of the National Health Service and nationalisation of significant parts of the UK's economy.
The film documents the extent to which these achievements, as the filmmaker Ken Loach sees them, have since been subject to attack in the decades that followed, particularly under the Conservative governments of Margaret Thatcher in the 1980s

The National Gallery in London is one of the great museums of the world with 2400 paintings from the 13th to the end of the 19th century. Almost every human experience is represented in one or the other of the paintings. The sequences of the film show the public in various galleries; the education programs, and the scholars, scientists and curators, studying, restoring and planning the exhibitions. The relation between painting and storytelling is explored.

Foo Fighters commemorate their 20th anniversary by documenting the eight-city recording odyssey that produced their latest, and eighth, studio album. Foo Fighters founder Dave Grohl directs the series, which taps into the musical heritage and cultural fabric of eight cities: Chicago, Austin, Nashville, Los Angeles, Seattle, New Orleans, Washington D.C. and New York. The band based themselves at a legendary recording studio integral to the unique history and character of each location. One song was recorded in each city, and every track features local legends. Even the lyrics were developed in an experimental, unprecedented way: Grohl held off on writing them until the last day of each session, letting himself be inspired by the experiences, interviews and personalities that became part of the process. Foo Fighters Sonic Highways is, in Grohl’s words, “a love letter to the history of American music.” Each episode delves into the identity of each city -- showing how each region shaped these musicians in their formative years and, in turn, how they impacted the cultural fabric of their hometowns. Every artist who appears in the show, regardless of genre or locale, started as an average kid with universal dreams of making music and making it big. Grohl made his feature film directorial debut in 2013 with the universally acclaimed Grammy-winning Sound City, a celebration of the human element in the creation and recording of music. Foo Fighters have won 11 Grammy Awards, including four for Best Rock Album, more than any other band. Premiering on the eve of Foo Fighters’ 20th anniversary, Foo Fighters Sonic Highways aims to “give back” to the next generation of young musicians. As guitarist and singer Buddy Guy, an interviewee from the Chicago blues scene, explains, “Everything comes from what’s come before.”
In the first episode, Dave Grohl and friends discuss the rise of the famous Chicago music scene from the roots blues of Muddy Waters and Buddy Guy to the Rock and roll of Cheap Trick.

In the days of the Mayas, cenotes – deep, natural pits on the Yucatan peninsula - provided the only means of obtaining drinking water. But in the mythology of this advanced civilisation, these waterholes and caves were also the entrance to Xibalba – the underworld. All deceased were obliged to pass through Xibalba and wait there until they were called into heaven. It was a place in which one made sacrifices to the gods – objects of daily life, as well as bloody, human sacrifices. To this day, the relics of these acts are still in place preserved underwater for more than a thousand years. The entrance to the underworld begins at a dirty waterhole in the middle of the Mexican jungle overgrown and barely recognisable. But immediately after entry, a hall of breath-taking dimensions and beauty is revealed. As if they were sculptures, stalactites and stalagmites lend the underwater cave an almost sacred ambience. By now, one has succumbed to the fascination emanated by the world’s largest underwater cave system. We accompany four professional research divers to Yucatan – a team of specialists, able to squeeze their bodies through crevices and holes, barely larger than their bodies and who master dives that would push even the most experienced divers to their limits. With them, we penetrate worlds only a few people have ever ventured into. We encounter the remains of human victims, prehistoric fireplaces and primeval animal skeletons and undertake a dive, which takes us from the primeval forest to the open sea. We then enter Xibalba – the place of myths and the dead. In the days of the Mayas - a voyage of no return. Today, this is one of the greatest challenges one can face as a diver – the hidden world of the underwater caves of Yucatan – all filmed in 3D.