The wartime contributions of five prominent Hollywood film directors during World War II are profiled. The documentary focuses on five directors – John Ford, William Wyler, John Huston, Frank Capra, and George Stevens – whose war-related works are analysed by modern filmmakers, respectively Paul Greengrass, Steven Spielberg, Francis Ford Coppola, Guillermo del Toro, and Lawrence Kasdan. In the first episode, John Ford's The Battle of Midway was approved directly by President Franklin D. Roosevelt while Frank Capra fights to get Why We Fight made.

There are some who believe that Darwin's theory of evolution has weakened religion. Conor Cunningham argues that nothing could be further from the truth.He travels to the Middle East where he shows that from the very outset, Christianity warned against literal readings of the biblical story of creation. In Britain, he reveals that, at the time, Darwin's theory of evolution was welcomed by the Anglican and Catholic Churches. Instead, he argues that the conflict between Darwin and God was manufactured by American creationists in the 20th century for reasons that had very little to do with science and religion and a great deal to do with politics and morality. Finally, he comes face to face with some of the most eminent evolutionary biologists, geneticists and philosophers of our time to examine whether the very

In this documentary series we will see how the real-life pirates of the Caribbean violently plunder, stealing and form a surprisingly egalitarian republic. The historical drama portrays the rise and fall of the eponymous early-18th century pirate republic based in Nassau, Bahamas.
The series begins in 1715, shortly after the close of the War of the Spanish Succession, which pitted England against Spain. England had waged the war on the cheap, resorting to the use of privateers rather than incurring the expense of fully funding the Royal Navy. The ending of this war leaved thousands of Caribbean privateers unemployed, when the wreck of a treasure fleet creates new opportunities.

This episode examines the end of and the period immediately after World War II. It looks at Stalin's efforts to seize control of Poland and Eastern Europe, Democratic part bosses efforts to drop Henry Wallace from the 1944 presidential ticket, and British efforts to maintain their colonial holdings after the war.

The final part examines political revolution and how art was at the forefront of throwing out 1,000 years of royal rule, from its earliest revolutionary days of enthusiasm and optimism when painting died, the poster was king and the machine-made triumphed over the handmade to the dead hand of Socialist Realism. Andrew roots out great portraits of Stalin now hidden in museum storerooms and never on public view, looks at the transformation of the Moscow metro into a great public art gallery and visits the most stunning creation of post-war Communist rule, the Space Monument. Finally, he comes to the confusion and chaos of Russia today and how it is producing some of the world's strangest art - from heroic sculptures of Russian leader Vladimir Putin to the insides of a giant erotic apple; from the recreation of the Imperial royal family facing the firing squad to sculpture in liquid oil; from Russia's embrace of the commercial art market to a return to Socialist Realism. Russia seems to stand on another brink of revolution.

The sun gives us warmth and light. It is the fuel of life. Without the energy of the sun almost nothing grows, thrives or lives. But the sun was not put there for our benefit. It is not this big jolly ball of nice smiling down on us, wishing us all a good day. It is not our friend. The sun is a monster. A planet killer. And we don't see that side of the sun down here.
But eight astronauts, with over 1,000 days in space between them, can show us how being up there helped them understand the suns bright fury.