The Allies plan for years how to break through Hitler’s Atlantic Wall in France. The deception operations are some of the most elaborate of the war, including a huge inflatable army in Kent. The D-Day fleet is the biggest assembled in history, with over 160,000 men crossing the channel to land on five Normandy beaches, each with differing success. But landing is just the beginning, what follows is one of the bloodiest and most extraordinary battles of WWII.

There is one miniature fierce queen, hardly bigger than a grain of rice. Enter the fascinating, and sometimes brutal world of honey ants, struggling not just for survival, but power - all in service of their fearless leader, the queen. Her story has it all-- ambition, murder, and a great army of female warriors on the rampage.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.