The centre of our galaxy is home to an invisible monster of unimaginable power – a supermassive black hole named Sagittarius A star, with four million times the mass of the Sun. Recent astronomical breakthroughs have confirmed not only that black holes like Sagittarius A star exist, but that these bizarre invisible objects may be the ultimate galactic protagonists. Stunning CGI takes us back to witness the fiery origins of our galaxy’s black hole 13.6 billion years ago, when the early universe was home to colossal blue stars, and when they ran out of fuel, they collapsed under their own enormous mass, crushing down into an object so small and so dense it punched a hole in the fabric of the universe. Over billions of years, Sagittarius A star feasted on nearby gas, stars, and through cataclysmic mergers with other black holes. A breakthrough discovery by Nasa’s Fermi gamma-ray telescope has shown that our black hole had the power to sculpt the entire galaxy, creating vast bubbles of gas above and below our galaxy and even protecting stars systems as ours. In a mind-bending conclusion, Brian Cox reveals how our modern understanding of black holes is challenging our concepts of reality to the breaking point. In trying to understand the fate of objects that fall into Sagittarius A star, scientists have come to a stunning conclusion: space and time, concepts so foundational to how we experience the world around us, are not as fundamental as we once thought.
A bird's-eye view of some of the world's greatest natural spectacles. Amazing sights from five continents are revealed in a whole new light. Using cutting edge new filming techniques to show everything in exquisite detail, viewers have a uniquely privileged perspective. The first episode takes flight across North America, as a flock of millions of snow geese discover what it is like to be on the hit list of America's national bird: the bald eagle. In California, pelicans reveal devil rays that perform astonishing somersaults and find bizarre grunion fish that wriggle ashore to spawn. In Alaska, bald eagles swoop among brown bears fishing for salmon. And on the Great Plains, cowbirds duck and dive under the feet of fighting bison.
Scientists on the BICEP and Planck missions are attempting to solve a mystery about the earliest moments of our universe, by searching for patterns in the Cosmic Microwave Background (CMB). If successful, the missions will help to answer the biggest question anyone can ask: how did our universe begin?
How should art depict the relationship between man and God? How can art best express eternal values? Can you and should you portray the face of Christ? For over 1,000 years these were some of the questions which taxed the minds of the greatest artists of the early West. In this three-part series, art historian Andrew Graham-Dixon sets out to unravel the mysteries of art from the pre-perspective era". In the first episode, Andrew traces the beginnings of Christian art in the declining Roman Empire, Egypt and medieval France, and reveals the ideas which lay behind the transition
Arguably the most powerful painting about war ever achieved. It portrays the slaughter of civilians after Napoleonic troops entered Madrid in 1808. The programme reveals the historical truths behind the painting and shows exactly how Goya achieved this masterpiece of protest. he painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era. According to the art historian Kenneth Clark, The Third of May 1808 is 'the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention'. Discover how Goya used drawings by authentic witnesses to depict a real firing squad.
In the third part of his journey into the history of Christianity, Professor Diarmaid MacCulloch charts Orthodoxy's extraordinary fight for survival. After its glory days in the eastern Roman Empire, it stood right in the path of Muslim expansion, suffered betrayal by crusading Catholics, was seized by the Russian tsars and faced near-extinction under Soviet communism. MacCulloch visits the greatest collection of early icons in the Sinai desert, a surviving relic of the iconoclastic crisis in Istanbul and Ivan the Terrible's cathedral in Moscow to discover the secret of Orthodoxy's endurance.
Stunning CGI takes us back to witness the fiery origins of our galaxy’s black hole 13.6 billion years ago, when the early universe was home to colossal blue stars, and when they ran out of fuel, they collapsed under their own enormous mass, crushing down into an object so small and so dense it punched a hole in the fabric of the universe. Over billions of years, Sagittarius A star feasted on nearby gas, stars, and through cataclysmic mergers with other black holes. A breakthrough discovery by Nasa’s Fermi gamma-ray telescope has shown that our black hole had the power to sculpt the entire galaxy, creating vast bubbles of gas above and below our galaxy and even protecting stars systems as ours.
In a mind-bending conclusion, Brian Cox reveals how our modern understanding of black holes is challenging our concepts of reality to the breaking point. In trying to understand the fate of objects that fall into Sagittarius A star, scientists have come to a stunning conclusion: space and time, concepts so foundational to how we experience the world around us, are not as fundamental as we once thought.