Hosted by ABC journalist Bob Woodruff, this two-hour special explores what a worst-case future might look like if humans do not take action on current or impending problems that could threaten civilization. The problems addressed in the program include climate change, overpopulation, and misuse of energy resources. The events parallel the life of a fictitious storyteller, 'Lucy' as she describes how the events affect her life. The program included predictions of a dystopian Earth in the years 2030, 2050, 2085, and 2100 by scientists, historians, social anthropologists, and economists, including Jared Diamond, Thomas Homer-Dixon, Peter Gleick, James Howard Kunstler, Heidi Cullen, and Joseph Tainter. According to Executive Producer Michael Bicks, "this program was developed to show the worst-case scenario for human civilization. Again, we are not saying that these events will happen — rather, that if we fail to seriously address the complex problems of climate change, resource depletion and overpopulation, they are much more likely to happen.

The Joker, Lex Luthor, Catwoman, Doomsday, Bane. What makes them so thrillingly watchable? So terribly wonderful? So extremely vital to our super heroes and their worlds? This feature-length documentary explores these questions across seven decades of DC Comics’ hallowed Rogues’ Gallery of infamous evildoers.
Narrated by esteemed film villain Christopher Lee,examines the tortured psyches of your favorite animation, comic book, game, TV and feature film baddies – both from the past and into the future – against the backdrop of culture, history and society. Insights from famed creators and storytellers, including Zack Snyder, Guillermo del Toro, Jim Lee, Geoff Johns and Richard Donner, shine a fascinating light on those malevolent, charismatic characters who thrive in the dark.

On March 13, 1997 thousands of people claimed to have simultaneously witnessed unexplainable lights in the Phoenix, Arizona night sky. What were the lights? To this day it remains a mystery and footage of the incidents has been used in documentaries on the subject of UFOs. The Phoenix Incident is a fictionalized heart-pounding thriller based on this real-life event.
This one-night event uses whistleblower testimony, recovered military footage and eyewitness accounts to create a sci-fi thriller that examines the US military's alleged engagement of alien spacecrafts. In addition to being able to experience this exciting film, event attendees will be exposed to an exclusive 5-minute documentary about UFO sightings and government cover ups and a special panel discussion previously captured at this year's UFO congress.

On April 5, 1980 four college pals -Bill Berry, Peter Buck, Mike Mills and Michael Stipe- took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world". Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too.

Every day of our lives, we are bombarded by thousands of different images, images which affect us in countless different ways. But of all these there's one particular kind of image whose power is uniquely mesmerising, because while it terrifies us somehow it also comforts. But although it can manipulate us, it also reassures, It's the image of death.

British Indie music was once seen as the bastion of the over earnest 'High Fidelity' snob who would sneer at chart success. the indie label was the redoubt against the forces of mediocrity and was a precious source of integrity and honesty. A generation would find meaning in the music of The Smiths, the archetypal indie group of the 1980's. From the Stone Roses, the heir manque of the indie music crown, via Suede’s dark sexuality and the media saturation of Brit-pop's Blur v Oasis, indie was now a marketing device, ultimately losing any of it's once cherished intimacy and integrity