The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.

The end is coming. But which cosmic catastrophe will deliver the death blow? Were the Vikings right to fear the frozen apocalypse of an endless winter? Did the Buddhists correctly predict a fiery end to life on Earth? Or will the thunderous Christian vision of Armageddon come crashing down from the stars? Which ancient prophesy do scientists believe accurately foretells our doom? And how close are we to the end of the world?
This film explores all the possibilities Apocalyptic Visions to the Future.

'Crude Awakening'- To combat the worst environmental disaster in American history, BP and the Coast Guard dumped nearly 2 million gallons of a chemical dispersant called Corexit into the Gulf. But instead of helping clean up the spill, Corexit made things worse. Shane Smith heads to Louisiana to report on the lasting effects of the BP oil spill. 'The Enemy of My Enemy' - Yemen, the fractured state in the Arabian peninsula, is at the top of the worry list for President Obama's national security team, and the rise of Al Qaeda there is only half the reason why. The real trouble is a current threat posed by the little-known Houthi rebel movement in the north of the country - a grassroots army, allegedly funded by Iran, that has never granted access to any other Western film crew before. Ben Anderson goes deep into Houthi-controlled territory to learn about the group that's fighting, and beating, Al Qaeda in the east, Saudi Arabia in the north, and Yemen's central government in the south.

This episode discusses the human exploration of Antarctica, in particular the mission led by Captain Robert Falcon Scott, whose team died on the way back from the South Pole. It shows the scientific work in the modern human bases in Antarctica, especially Mawson Base and its observation of Adelie Penguins (partially through tracking devices). The second half of the episode describes how the series was made. Most crucial was of course the camera work. To get access to the wildlife of the sea, for example, boats, divers, suspended capsules and remotely controlled cameras mounted on inflatables were used. Particularly dangerous to divers were Leopard Seals and other predators. The film concludes that although working in Antarctica is now much easier than during the early days of exploration, human footsteps on the continent are still exceedingly rare in part because of international treaties prohibiting industrial exploitation.

Ron Mann investigates the miraculous, near-secret world of fungi. Visionaries Gary Lincoff and Larry Evans lead us on a hunt for the wild mushroom and the deeper cultural experiences attached to the mysterious fungi. The oldest and largest living organisms recorded on Earth are both fungi. And their use by a new, maverick breed of scientists and thinkers has proven vital in the cleansing of sites despoiled by toxins and as a "clean" pesticide, among many other environmentally friendly applications. Combining material filmed at the Telluride Mushroom Fest with animation and archival footage, along with a neo-psychedelic soundtrack by The Flaming Lips, this film opens the doors to perception, taking the audience on an extraordinary trip where the fungi might well guide humanity to a saner, safer place.

The 25 October 2009 concert in Pasadena, California was streamed live on U2's YouTube channel, the first time a concert was streamed live on YouTube. Over 10 million viewers streamed the concert, making it the largest streaming event in the website's history. The shoot was directed by Tom Krueger, who had previously worked with the band on the film U2 3D.