An in-depth voyage into the sci-fi film 'Alien' with the visionary filmmakers who created it. See how one of the most terrifying movies of all time came to life 40 years ago and the untold origin story behind Ridley Scott's movie. It was rooted in Greek and Egyptian mythologies and in our universal fears, and the history was inspired
by underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. The documentary is a contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.
VICE makes history on a trip to North Korea to play hoops and meet with supreme leader Kim Jong-un. With NBA great Dennis Rodman and a trio of Harlem Globetrotters in tow, we traveled to the capital of Pyongyang for a tour of the city, a basketball clinic, an exhibition game, and a first-ever meeting between the leader and an American delegation.
the final episode deals with plants that live in hostile environments. Attenborough visits Ellesmere Island, north of the Arctic Circle, to demonstrate that even in a place that is unconducive to life, it can be found. Algae and lichens grow in or on rock, and during summer, when the ice melts, flowers are much more apparent. However, they must remain close to the ground to stay out of the chilling wind. In the Tasmanian mountains, plants conserve heat by growing into 'cushions' that act as solar panels, with as many as a million individual shoots grouped together as one. Others, such as the lobelia in Mount Kenya, have a 'fur coat' of dense hairs on their leaves. The saguaro cactus in the Sonoran Desert flourishes because of its ability to retain vast amounts of water, which can't be lost through leaves because it has none. Many desert dwellers benefit from an accelerated life cycle, blooming rapidly within weeks after rainfall. Conversely, Mount Roraima is one of the wettest places on Earth. It is a huge sandstone plateau with high waterfalls and nutrients are continuously washed away, so plants have to adapt their diet if they are to survive. A bladderwort is shown invading a bromeliad. Inhabitants of lakes have other problems to contend with: those that dominate the surface will proliferate, and the Amazon water lily provides an apt illustration. Attenborough ends the series with an entreaty for the conservation of plant species.
Are rising temperatures driving Earth's ecosystems past a point of no return? We have promising technologies that put solutions within our grasp. Scientists are exploring solutions: from geoengineering to sucking carbon out of the air to cloud brightening, as means to cool the planet. Cutting-edge solutions and high-risk measures. But would they work? And what are the risks of engineering Earth's climate?
Travel back 66 million years to when majestic dinosaurs and extraordinary creatures roamed the lands, seas, and skies in the second season of this acclaimed series narrated by David Attenborough. After a tropical storm, two Zalmoxes find themselves in a rafting event. On a small island, a monumental display takes place as several Hatzegopteryx ambush a herd of Tethyshadros. A female Majungasaurus hunts a group of Simosuchus. A mother Adalatherium raises her offspring in a burrow, hoping to keep them safe from predators like Masiakasaurus and Madtsoia. A pack of Imperobator pursue a Morrosaurus onto a frozen lake. A male Hatzegopteryx attempts to attract a mate.
Dawkins opines that the moral framework of religions is warped, and argues against the religious indoctrination of children. He discusses specifically the idea of religion seen as a virus in the sense of a meme. He begins by explaining how a child is genetically programmed to believe without questioning the word of authority figures, especially parents – the evolutionary imperative being that no child would survive by adopting a sceptical attitude towards everything their elders said. But this same imperative, he claims, leaves children open to infection by religion.
It was rooted in Greek and Egyptian mythologies and in our universal fears, and the history was inspired by underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. The documentary is a contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.