Drazen Petrovic and Vlade Divac were two friends who grew up together sharing the common bond of basketball. Together, they lifted the Yugoslavian National team to unimaginable heights. After conquering Europe, they both went to America where they became the first two foreign players to attain NBA stardom. But with the fall of the Soviet Union on Christmas Day 1991, Yugoslavia split up. A war broke out between Petrovic's Croatia and Divac's Serbia. Long buried ethnic tensions surfaced. And these two men, once brothers, were now on opposite sides of a deadly civil war. As Petrovic and Divac continued to face each other on the basketball courts of the NBA, no words passed between the two. Then, on the fateful night of June 7, 1993, Drazen Petrovic was killed in an auto accident. "Once Brothers" will tell the gripping tale of these two men, how circumstances beyond their control tore apart their friendship, and whether Divac has ever come to terms with the death of a friend before they had a chance to reconcile.

Alejandro Jodorowsky's daring and psychedelic films of the early 1970's, 'El Topo' and 'The Holy Mountain', cemented his status as the Godfather of the Midnight Movie. In 1974, he began work on his next film, possibly the most ambitious film ever attempted. In the pre-Star War era, Jodorowsky’s adaptation of Frank Herbert’s classic sci-fi novel DUNE was poised to change cinema forever. His DUNE would star Brontis Jodorowsky, Alejandro's own 12 year old son, alongside Orson Welles, Mick Jagger, David Carradine and even Salvador Dali. The team of assembled visual artists were some of the most provocative talents of the era, including H.R. Giger, Chris Foss, and Jean ‘Moebius’ Giraud. The groundbreaking special effects were under the control of Dan O'Bannon and the soundtrack would be created by Pink Floyd and the French prog-rock masters, Magma.
For two years, Jodorowsky and his team of 'Spiritual Warriors' worked night and day on the massive task of creating the fabulous world of DUNE. In order to secure the necessary Hollywood funding, they created over 3,000 storyboards, numerous paintings, incredible costumes, and an outrageous, moving, and powerful screenplay. In the words of Jodorowsky’s producer, Michel Seydoux, 'It should have been enough. But it wasn’t.' Through intimate and honest conversations with Jodorowsky, filmed over the span of three years, plus interviews with legends and luminaries including H.R. Giger (artist, ALIEN), Gary Kurtz (producer, STAR WARS) and Nicolas Winding Refn (director, DRIVE and THE NEON DEMON), as well as never-before-seen realizations of Jodorowsky’s mind-blowing psychedelic space opera, director Pavich's film finally unearths the full saga of 'THE GREATEST MOVIE NEVER MADE'.

A war story unlike any ever seen. A story of what happens when one ordinary man, Time magazine war correspondent Michael Ware, transplanted into the Middle East by the reverberations of 9/11, butts into history. Ware handpicked and given a shattering video tape by the most feared, most hated terrorists on the planet to announce his arrival of the world stage sets out on an epic journey into the deepest recesses of the conflict as he seeks answers. Answers that he thinks will lead him to the Truth. The invasion of Iraq has ended, and the Americans are celebrating victory. The year is 2003. Alone and in secret one man, Abu Musab al Zarqawi is planning the real war. Step- by-step he lays out his plan in a letter to Osama bin Laden: the suicide truck bombings; the bloody horrors of the civil war; the televised beheadings. He carries out his grand design to transform the invasion into one of the most brutal conflicts our time and a catastrophe for the planet...and he does it all on camera. He gives the tape to Michael Ware. The tape sets our correspondent off on an epic voyage as he seeks answers. As he seeks what he thinks will be the Truth.

In the year 480 B.C., the Greeks and the Persians fight one of the most famous battles in history at a place called Thermopylae. Here, the mighty Persian war machine, which has conquered most of the known world, will attempt an expansion into Europe. The only thing standing in their way will be an army led by 300 Spartans, the greatest soldiers the world has ever known. They will fight to the very last man, and in doing so will protect the cradle of democracy during its infancy, and the battle will go down in history as the greatest military stand of all time.

Investigative journalist Jeremy Scahill travels to Afghanistan, Yemen, Somalia, and other countries where the United States has taken military action in the War on Terror. In Afghanistan, he investigates the United States military and government cover-up of the deaths of five civilians, including two pregnant women killed by US soldiers from the Joint Special Operations Command. After investigating the attack, Scahill travels to other sites of JSOC intervention, interviewing both proponents and opponents, and the survivors, of such raids,including U.S. Senator Ron Wyden. Scahill also investigates the assassinations of American citizens Anwar al-Awlaki and his son Abdulrahman al-Awlaki, meeting with their family at their home in Yemen. Scahill suggests that the War on Terror is in fact a "self-fulfilling prophecy" and causes the radicalization of Muslims. He also discusses the case of Yemeni investigative journalist Abdulelah Haider Shaye who was detained, tried and sentenced on terrorism-related charges after reporting on American drone strikes.

Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps liberated by allied troops. When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums. This eloquent, lucid documentary by André Singer (executive producer of the award-winning The Act of Killing) tells the extraordinary story of the filming of the camps and the fate of Bernstein’s project, using original archive footage and eyewitness testimonies.