Art

One of Cezanne’s best-known pictures, but it is also one of his most mysterious. Why did the so-called father of modern art paint two old men hunched over a game of cards? What is the picture trying to tell us?
By exploring Cezanne’s puzzling religious beliefs and his passion for Mary Magdalene, the patron saint of Provence, Waldemar Januszczak uncovers the surprising secrets of a haunting masterpiece.

The Vision After the Sermon, also known as Jacob Wrestling with the Angel, is a painting full of symbolism and mystery. But what does Gauguin’s famous work have to do with a 17-year-old girl called Madeleine, with Victor Hugo’s Les Miserables, and with sumo wrestlers?
Waldemar Januszczak reveals all as he investigates Gauguin’s epic religious painting about good and evil, temptation and desire.

Hanging in the Barnes Foundation in Philadelphia, Seurat’s Les Poseuses is probably his least-known painting. It is also a picture brimming with codes and hidden meanings. It shows three nudes in the artist’s studio, but included in the background is Seurat’s famous masterpiece, A Sunday Afternoon on the Island of La Grande Jatte. Why is it there? What is it trying to say? Why two pictures at once? Waldemar Januszczak investigates.

Waldemar Januszczak sets out to uncover the secret meanings hidden in four famous paintings by Van Gogh, Gauguin, Cezanne and Seurat. Everyone knows the pictures. They are among the most celebrated masterpieces of art. And yet, hidden inside them are codes and puzzles that no one has been able to decipher.
Van Gogh’s Self-Portrait with Bandaged Ear was painted soon after he cut off his ear with a razor. But how much do we really know about it? In a far-ranging investigation, Waldemar Januszczak delves into the clues hidden in the painting. The result is a tale of geishas, brothels, bullfights, love affairs, suffering and a fiery relationship with Gauguin. The work has a powerful secret message, if you know what to look for.

Join Keanu Reeves on a tour of the past and the future of filmmaking. Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. The film investigates the history, process and workflow of both digital and photochemical film creation. We will explore it via in-depth interviews with directors, cinematographers, colorists, scientists, engineers and artists such as James Cameron, David Fincher, David Lynch, Martin Scorsese, Steven Soderbergh, and many more

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which celebrated its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
The film encompasses the worlds of design, advertising, psychology, and communication, and invites us to take a second look at the thousands of words we see every day.
Interviewees in Helvetica include some of the most illustrious and innovative names in the design world, including Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf, Neville Brody, Stefan Sagmeister, Michael Bierut, David Carson, Paula Scher, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset, Michael C. Place, Norm, Alfred Hoffmann, Mike Parker, Bruno Steinert, Otmar Hoefer, Leslie Savan, Rick Poynor, and Lars Müller.