The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.

Winner of the Best Documentary Short Award, the film tells the story of four unassuming heroes who ensure no student is deprived of the joy of music. It is also a reminder of how music can be the best medicine, stress reliever and even an escape from poverty.
Since 1959, Los Angeles has been one of the few United States cities to offer and fix musical instruments for its public school students at no cost. Those instruments, numbering around 80,000, are maintained at a Los Angeles downtown warehouse by a handful of craftspeople. The film profiles four of them, each specializing in an orchestra section, as well as students whose lives have been enriched by the repair shop's work. The film concludes with a performance by district alumni.

‘Taylor Swift The Eras Tour’ transcends a mere concert film, emerging as a cultural phenomenon on the big screen. It offers a once-in-a-lifetime, immersive experience, showcasing the history-making tour of Taylor Swift, one of the most iconic artists of our era. The film spans her entire career, from early country roots to the latest pop anthems, capturing the evolution of her music and the unique themes of each era with stunning cinematic quality. The visuals and sound design are crafted to create a breathtaking and intimate concert experience, highlighting the energy of Swift and her connection with the audience.
This film is not only a celebration of Swift's musical journey but also a testament to her lasting impact on pop culture. It's a masterful blend of concert energy, personal storytelling, and cinematic splendor, making it an essential experience for anyone interested in witnessing the evolution of a music icon and the creation of a cultural milestone.

Three years in the making, Francis Whately’s film is a social and musical history of (probably) the world’s greatest music festival, as told by its principal curators, Michael and Emily Eavis, and many of the key artists who’ve appeared there between 1970 and 2019 – Billie Eilish, Thom Yorke, Florence Welch, Dua Lipa, The Levellers, Aswad, Orbital, Fatboy Slim, Linda Lewis, Noel Gallagher, Ed O’Brien, Chris Martin, Stormzy and more.
Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere.
This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.

This featured film takes a humorous but incisive look at the best-selling instrumentalist of all time – and quite possibly one of the most famous living musicians. Listening to Kenny G investigates the artist born Kenny Gorelick – who took the pop charts by storm with his 1986 breakthrough single, 'Songbird' – exploring his talent for playing jazz so smoothly that a whole new genre, 'Smooth Jazz,' formed around him, and questioning fundamental assumptions about art and excellence.
In his own words, Kenny G speaks candidly about his musical background, his stringent work ethic, and his controversial standing in the jazz canon – along with insights from fans and critics alike.

This film documents the 1987 North American tour of the great rock band U2. Fresh with their success of their best selling album 'The Joshua Tree', the band plays monster gigs. Along the way, the band takes the opportunity to indulge in some special musical activities like playing with B.B. King and performing 'I Still Haven't Found What I'm Looking for' with a famous church choir. All the while, concert footage of the band's biggest hits on tour are featured while Bono speaks his mind on the problems of his homeland.