The documentary, an own production, immerses the viewer in a journey that blends science and philosophy, questioning the nature of time and unveiling a 4-dimensional universe, where space and time are integrated. We are invited to consider a universe in which past, present, and future coexist, suggesting that our linear perception of time might be more of a mental construction than a physical reality. The narrative progresses by exploring how quantum particles exist in states of probability until they are observed, at which point they acquire defined properties. Then, the provocative hypothesis is presented that observation also fixes the temporal dimension of the particles.
The sensation of the flow of time and the distinction between past, present, and future are introduced as mental constructions, arising from the human brain's limited capacity to process the complexity of reality. It is then proposed that the mind, by observing itself, fixes itself in the temporal dimension, thus creating the illusion of the present. Finally, the impact of these theories on free will is discussed.
This documentary challenges viewers to look beyond their everyday perceptions and consider the possibility that reality is much more complex and fascinating than our immediate experiences suggest. It is an invitation to explore the limits of science, philosophy, and the mind itself in search of answers to some of the deepest questions of existence.
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Could time travel ever be science fact? Time itself may be something you can bend and stretch. Trying to understand if time travel can be possible teach us a lot about the universe. It forces us to take on some of the toughest unanswered questions in all of physics and will ultimately probably lead to deeper understanding of the very nature of the cosmos.

We inhabit a cosmos of undiscovered dimensions and paradoxical realities. We live on one level of perception, but there are others. Every once in a while, a searcher happens upon the doorway to one of these other levels. One of them discovered a paradox about reality that proved to be so profound, we have yet to understand how it could be possible. The universe, or perhaps we should say, universes have never been the same.
In the counterintuitive realm of quantum mechanics, light can be two contradictory things, and somehow - no one knows how - an unseen observer can alter the nature of reality. The man who stumbled on this hole in reality and the still- unfolding technological revolution that it made possible.

The idea that there is a possibility of many worlds or multi universal theory is very new even though you may have learned about it in movies and comic books. Explore how this thinking was developed in the world of quantum mechanics and philosophy.

The Spirit Molecule investigates dimethyltryptamine (DMT), a naturally occurring psychoactive compound, which exists in humans, and potentially every living organism. Utilizing Dr. Rick Strassman's government-sanctioned, human DMT research as the documentary's backbone, the study's potential impact and its inconceivable revelations emerge. A closer examination of DMT's effects through two traditionally opposed concepts, science and spirituality, The Spirit Molecule unravels the connections between cutting-edge neuroscience, quantum mechanics and human spirituality.
The Spirit Molecule, a simple molecule with enormous implications. The subtle combination of science, spirituality, and philosophy results in an abundance of incredible ideas and theories that could alter the way we understand the nature of reality and our relationship to it.

Shocking new evidence has convinced some of the world's greatest physicists that the universe is a hologram. Using cutting-edge technology, they investigate the secrets of black holes and space-time to build the case for this game-changing discovery.
The holographic principle is a supposed property of quantum gravity that states that the description of a volume of space can be thought of as encoded on a lower-dimensional boundary to the region like a gravitational horizon. First proposed by Gerard 't Hooft, it was given a precise string-theory interpretation by Leonard Susskind.
The holographic principle was inspired by black hole thermodynamics, which conjectures that the maximal entropy in any region scales with the radius squared, and not cubed as might be expected. In the case of a black hole, the insight was that the informational content of all the objects that have fallen into the hole might be entirely contained in surface fluctuations of the event horizon.