Dylan Jones is in the driving seat for this authoritative four-part look back. No stone remains unturned, as he revisits the New Romantics, rap, modern dance music, hip-hop, indie jingle, synth-pop, house music and club culture. He makes the case that the 1980s was the most radical, innovative and creative decade in the history of pop because, unlike other decades, unleashed a myriad of new musical genres in just 10 years.
In the first part, Dylan Jones explores how in this decade the world-conquering genres of rap, hip-hop and modern dance music were launched, while guitar-driven indie flourished in a constellation of scenes spread out across the world. And a technological revolution was changing how music was made, filling the charts with a starburst of innovative records. Meanwhile, the launch of MTV turned pop into a visual medium, allowing artists as varied as U2 and Eurythmics to take charge of how they presented themselves. Featuring interviews with Nile Rodgers, Bananarama, Primal Scream's Bobby Gillespie, Mark Ronson, Trevor Horn and Soul II Soul's Jazzie B.

The film is the long-awaited reunion concert of the renowned folk pop music duo, more than a decade after their separation as musical performers. It was recorded on the 19th September 1981 at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of an audience reported at the time as 500,000 people. The film includes two songs that had not appeared on the album.
Rolling Stone called the concert 'one of the finest performances, one that vividly recaptured another time, an era when well-crafted, melodic pop bore meanings that stretched beyond the musical sphere and into the realms of culture and politics.'

An in-depth look into the life and work of the iconic artist and musician Frank Zappa. As a singer, songwriter, rock guitarist, classical composter, recording producer and even occasional film director, Frank Zappa was as difficult to describe as his eclectic music was throughout his 30-year career.
Zappa was without peer, a singular entity who branched out in countless directions, and in the process, became one of the most important and influential musical artists of the latter-20th century. With his most famous band, The Mothers of Invention, he blended rock, jazz, classical, doo-wop, R&B and avant-garde stylings with strange, sexually-tinged lyrics and absurd stage theatrics to create a wholly unique live experience, while in the studio producing outside-the-mainstream albums.

Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.

Mark has never had a girlfriend, but he wants love more than anything. Maddi and Mark are going on their second date at the Australian Museum. Olivia has had 'a bazillion' unrequited loves but is not ready to give up. Maddi dates a new man who impresses her with his musical talent.

Experience the evolving genius of rock icon David Bowie in this documentary that chronicles the last five years of his life.
The film features never-before-seen footage of Bowie as well as conversations with the musicians, producers, and music video directors who worked with him on his final tour back in the early 2000s (when he had a heart attack that compelled him to turn away from live performances); the Man Who Fell to Earth–inspired musical Lazarus; and his final two albums, 2013’s The Next Day and Blackstar, which was released two days before Bowie died of cancer.