Fresh water is our most precious resource and it defines the distribution of life on land. Follow the descent of rivers from their mountain sources to the sea. Watch spectacular waterfalls, fly inside the Grand Canyon and explore the wildlife below the ice in the world's deepest lake. Witness unique and dramatic moments of animal behaviour: a showdown between smooth-coated otters and mugger crocodiles; deep-diving long tailed macaques; massive flocks of snow geese on the wing and a piranha frenzy in the perilous waters of the world's largest wetland.

We think of comets as beautiful glowing balls of light streaking across our skies with their long sweeping tails, yet comets are so much more than just a cosmic firework display. Comets have a uniquely important place in modern science. As time machines from the early universe, they could hold the key to unlock the secrets of the cosmos. Comets could even be the origin of life itself. We follow the incredible odyssey of a comet as it sails through the solar system, watching it's every move as it evolves from a dormant chunk of ice and rock into a tumbling, violently active nucleus engulfed in a gaseous haze. What we learn is a revelation; comets are even more mysterious and fascinating than we had ever imagined.

Many movies lend themselves to dramatic interpretations, but none are as rich and far ranging as Stanley Kubrick's The Shining. In LA filmmaker Rodney Ascher's ROOM 237, we hear from people who have developed far-reaching theories and believe they have decoded the hidden symbols and messages buried in the late director's film. Carefully examining The Shining inside out, and forwards and backwards, and backwards and forwards, ROOM 237 as captivating, provocative as it is pure pleasure". It gives voice to the fans and scholars who espouse these theories, reworking the film to match their ideas and intercutting it with layers of dreamlike imagery to illustrate their streams of consciousness. Sometimes outrageous, always engaging, the words of those who were interviewed are given full force by Ascher's compelling vision. Also featured at the 2012 Sundance, Cannes and Toronto film festivals.

The documentary deals with the future of conservation. It begins by looking at previous efforts. The 'Save The Whales' campaign, which started in the 1960s, is seen to have had a limited effect, as whaling continues and fish stocks also decline. In the 1990s, as head of the Kenya Wildlife Service, Richard Leakey took on the poachers by employing armed units. Although it was successful in saving elephants, the policy was detrimental to the Maasai people, who were forced from their land. The need for "fortress" areas is questioned, and the recently highlighted Raja Ampat coral reef in Indonesia is an example. The more tourism it generates, the greater the potential for damage — and inevitable coastal construction. Sustainable development is viewed as controversial, and one contributor perceives it to currently be a "contradiction in terms". Trophy hunting is also contentious. Those that support it argue that it generates wealth for local economies, while its opponents point to the reducing numbers of species such as the markhor. Ecotourism is shown to be beneficial, as it is in the interests of its providers to protect their environments. However, in some areas, such as the Borneo rainforests, the great diversity of species is being replaced by monocultures. The role of both religion and the media in conservation is argued to be extremely important. Contributors to the programme admit a degree of worry about the future, but also optimism.

It tells the story of FIFA World Cup of 1950, highlighting (but also showing other nations) the path of the two teams who played the final match: Uruguay and Brazil. The high quality of the footage is amazing, the text is smart and humorous, the music has been very well chosen in order to represent both the emotions involved in each moment and the contrast between the calmness of Uruguayan preparation and the crowded days of Brazilian team." The whole story shows not only one side. While Uruguayan team acquired confidence after an initial mistrust, Brazil was by far the best team in the competition but was heavily influenced by the environment in Brazilian society, the influence of politics and the pressure of the fans. While Uruguay overcame heroically all the constraints and, led by Obdulio Varela, won a title that few people believed, Brazilians got shocked because they considered themselves champions even before the final match, and their players became stigmatized until nowadays, not being celebrated as the fantastic team they were.

Adam Rutherford meets a new creature created by American scientists, the spider-goat. It is part goat, part spider, and its milk can be used to create artificial spider's web. It is part of a new field of research, synthetic biology, with a radical aim: to break down nature into spare parts so that we can rebuild it however we please. This technology is already being used to make bio-diesel to power cars. Other researchers are looking at how we might, one day, control human emotions by sending 'biological machines' into our brains.