Documentary about progressive music and the generation of bands that were involved, from the international success stories of Yes, Genesis, ELP, King Crimson and Jethro Tull to the trials and tribulations of lesser-known bands such as Caravan and Egg. The film is structured in three parts, charting the birth, rise and decline of a movement famed for complex musical structures, weird time signatures, technical virtuosity and strange, and quintessentially English, literary influences.
It looks at the psychedelic pop scene that gave birth to progressive rock in the late 1960s, the golden age of progressive music in the early 1970s, complete with drum solos and gatefold record sleeves, and the over-ambition, commercialisation and eventual fall from grace of this rarefied musical experiment at the hands of punk in 1977. Contributors include Robert Wyatt, Mike Oldfield, Pete Sinfield, Rick Wakeman, Phil Collins, Arthur Brown, Carl Palmer and Ian Anderson.

In the second episode, the directors learn their vision for the films is not always permissible by the U.S. government. Wyler is shocked by the racism he encounters against African American soldiers and refused to make a film recruiting black soldiers. Meanwhile, the films' racist depiction of the Japanese versus human depiction of the Germans causes worry for the War Department, which at that time planned to redistribute the Japanese-American population from internment camps into towns across the United States.

The wartime contributions of five prominent Hollywood film directors during World War II are profiled. The documentary focuses on five directors – John Ford, William Wyler, John Huston, Frank Capra, and George Stevens – whose war-related works are analysed by modern filmmakers, respectively Paul Greengrass, Steven Spielberg, Francis Ford Coppola, Guillermo del Toro, and Lawrence Kasdan. In the first episode, John Ford's The Battle of Midway was approved directly by President Franklin D. Roosevelt while Frank Capra fights to get Why We Fight made.

The film follows the dramatic journey of three whistleblowers who are determined to break the silence around one of the most controversial current affairs issues of our time: the secret U.S. drone war. At the center of the film are three U.S. military veterans. Plagued by guilt over participating in the killing of faceless people in foreign countries, they decide to speak out publicly, despite the possible consequences. Their stories take dramatic turns, leading one of the protagonists to Afghanistan where she learns about a horrendous incident. But her journey also gives hope for peace and redemption. National Bird gives rare insight into the U.S. drone program through the eyes of veterans and survivors, connecting their stories as never seen before in a documentary. Its images haunt the audience and bring a faraway issue close to home.

The film explores George Mallory's obsession with becoming the first person to reach the highest place on Earth. Told through the explorer's poignant and evocative letters to his wife, Ruth, previously unseen photos and film archive from 1924 (restored from the original nitrate especially for the film), dramatization and a modern-day expedition retracing the original route taken in 1924, Mallory's incredible adventure lives again. The expedition was led by renowned mountaineer Conrad Anker, whose life became inextricably linked with Mallory after he found Mallory s body on Everest in 1999. Using replica 1920s-era clothing and equipment, Anker sets out to solve the great mystery of whether Mallory succeeded in summiting Everest before he died he was last seen just 800 feet from the summit before the clouds closed in and he disappeared into legend. The most heart-breaking clue: All of Mallory's belongings were found intact on his body, except the photograph of his beloved Ruth, which he promised to leave at the top of the world if he succeeded.

Launched in 1982 by three friends in a Houston diner, Compaq Computer set out to build a portable PC to take on IBM, the world's most powerful tech company. Many had tried cloning the industry leader's code, only to be trounced by IBM and its high-priced lawyers. 'Silicon Cowboys' explores the remarkable David vs. Goliath story, and eventual demise, of Compaq, an unlikely upstart who altered the future of computing and helped shape the world as we know it today. Directed by Oscar (R)-nominated director Jason Cohen, the film offers a fresh look at the explosive rise of the 1980's PC industry and is a refreshing alternative to the familiar narratives of Jobs, Gates, and Zuckerberg.