The film unlocks the secrets to an innovative concept called circularity, an economic system based on the idea that nothing should go to waste. It's a deceptively simple idea that is at the heart of nature and the natural world, but very few of us actually live this way. And yet, it has the potential to save our planet's resources and save us from the ravages of future climate change. The film tells the story of four visionaries from around the world, whose thinking shapes and informs the concept of circularity: 102-year-old inventor Dr. James Lovelock, biomimicry biologist Janine Benyus, engineer and designer Arthur Huang, and financier John Fullerton. The extraordinary experiences of these very different people changed the way they think about humanity's future. Through the deeply personal transformation of each visionary profiled, the film explores concrete solutions individuals and communities are using to move toward a more circular society, rethinking everything from our food, our cities, our financial system, even our fashion industry.
Acclaimed biologist Dr. Merlin Sheldrake seeks a rare blue mushroom in Tasmania's ancient Tarkine rainforest, revealing fungi's extraordinary abilities. Fungi may provide solutions to humanity's problems, with millions more species yet to be discovered. All life on Earth is connected by a great mystery we are only just beginning to unravel. Hidden between the world of plants and animals, another world exists… Fungi’s web of life. We’ll begin in the mysterious world of the forest floor, where fungi are the central players in nature’s story of birth, death, and rebirth to discover that life as we know it simply would not exist without them. Dr. Sheldrake will show us some the grandest and strangest organisms ever discovered, showcased through jaw-dropping time-lapse cinematography, in a landscape largely unchanged from the time of the dinosaurs. Fungi have important lessons to teach humanity about survival through cooperation. Indeed, these incredible lifeforms may hold the key to solving some of humanity’s most urgent problems. With millions more species to discover, our journey into the secret world of fungi has only just begun.
What if death didn't have to be the final goodbye? ‘Eternal You’ is a gripping documentary that delves into the emerging industry of startups using AI to create digital avatars of the deceased. By harnessing the digital footprints left behind, these companies offer grieving individuals a chance to interact with their lost loved ones, blurring the lines between life and afterlife. The film explores this groundbreaking technology and its impact on bereaved families, delving deep into our innate desire for immortality. But at what cost does this technological resurrection come? ‘Eternal You’ raises profound questions about the ethics of commodifying grief and the psychological consequences of defying traditional notions of mortality. Does interacting with a digital echo of a loved one aid the healing process, or does it make letting go even harder? As we stand on the cusp of unprecedented technological possibilities, this documentary challenges us to consider whether we truly want—and are ready for—this new reality.
Follow one man's hilarious journey as he goes deep undercover to infiltrate and expose the weird world of diversity, equity, and inclusion. Laugh, gasp and cringe at his real-life misadventures. From the white guys who brought you ‘What Is A Woman?’ comes their next great question, and America's next great movie, ‘Am I Racist?.’ Matt Walsh goes undercover in the world of DEI (Diversity, equity, and inclusion organizational frameworks), hilariously skewering the absurdity of race hustlers. Prepare to be shocked by how far the grifters will go and how much further Matt Walsh will go to expose them.
The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.
Friendship, love, peace and freedom-these ideals drew young hearts from around the globe to Nova's EDM music festival in the South of Israel. But as the sun rose on October 7th, the fantasy shattered. Rockets sliced through the sky, and the dancing stopped. Confusion morphed into fear as gunfire erupted amidst the chaos. Terror breached the border fence and unleashed violence on the unsuspecting people in its rawest form. The film is a stark portrayal of the experiences of those who survived and those who didn't. The film meticulously reconstructs the events, capturing the raw emotions and heroism that emerged.
The film tells the story of four visionaries from around the world, whose thinking shapes and informs the concept of circularity: 102-year-old inventor Dr. James Lovelock, biomimicry biologist Janine Benyus, engineer and designer Arthur Huang, and financier John Fullerton. The extraordinary experiences of these very different people changed the way they think about humanity's future.
Through the deeply personal transformation of each visionary profiled, the film explores concrete solutions individuals and communities are using to move toward a more circular society, rethinking everything from our food, our cities, our financial system, even our fashion industry.