A feature documentary about the world-famous magician, escape artist, and world-renowned enemy of deception, James 'The Amazing' Randi. The film brings to life Randi's intricate investigations that publicly exposed psychics, faith healers, and con-artists with quasi-religious fervour. A master deceiver who came out of the closet at the age of 81, Randi created fictional characters, fake psychics, and even turned his partner of 25 years, the artist Jose Alvarez, into a sham guru named Carlos. But when a shocking revelation in Randi's personal life is discovered, it isn't clear whether Randi is still the deceiver - or the deceived.

About 340 million years ago a brand new family of animals was evolving in the primeval swamps. They were to go one step further than the amphibians who had emerged onto dry and before them. For they would eventually completely cut their ties with water. They were the ancestors of todays lizards. They evolved scaly impermeable skins and moved up into the forests. They diversified into a multitude of different shapes and sizes. They developed signalling systems to communicate with one another. And they squabbled as animals do. For food they hunted insects that were already well established on the land in great numbers. And here without returning to water they produced their families. They powered their bodies not only with food but with the heat that they drew directly from the sun.
As they diversified so they spread into the harshest of the lands habitats. The baking waterless deserts which eventually they would come to dominate. Discover jacky lizards that wave, wrestling beaded lizards and the the world's smallest chameleon, which is no bigger than his thumbnail, and the biggest lizard in Australia.

The film centers on our ongoing mission to explore and come to terms with the Arctic, and the compelling stories of our many forays into this captivating place will be interwoven to create a unifying message about the state of the Arctic today. Underlying all these tales is the crucial role that ice plays in the northern environment and the changes that are quickly overtaking the people and animals who have adapted to this land of ice and snow.

Their quest is to discover whether the items we throw away today have any value for tomorrow's world. In a unique science experiment, Dr George McGavin and Dr Zoe Laughlin chronicle the history of rubbish and explore how what we throw away tells us about the way we live our lives. With unprecedented access to one of the UK's largest landfill sites, the team of experts spend three days carrying out tests all over the site, revealing the secret world of rubbish. They also carry out three other 'archaeological' digs into historic landfills to chart the evolution of our throwaway society.
Is mining trash for something valuable really viable? McGavin concluded: 'The idea of landfill mining is a pretty compelling vision of the future.'

From steamy jungles to dry deserts, amphibians have taken their first footsteps onto land using their bizarre life histories to break their ties with the water and invade the earth.
This episode delves into the extraordinary and intimate lives of the soft skinned amphibians. This includes the marsupial frogs, a peculiar species where the father carries his young in pouches and then gives birth. It also features warring giant salamanders over a metre long and show-off newts that offer displays just like underwater birds of paradise.

Salvador Dali's strange crucifixion is often called the greatest religious painting of the 20th century. Yet its artist was a notorious blasphemer some of whose work had outraged the Catholic Church. The Christ of St John of the Cross by Salvador Dali is the first of two extraordinary crucifixions painted by Dali in the early 1950s. The painting is based on a 'cosmic dream' Dali is said to have had, in which the nucleus of the atom was a figure of Christ himself.
The painting offers a surrealist view of the crucifixion of Christ, and is based on a drawing by the 16th century Spanish friar Saint John of the Cross. But Dali's vision was somewhat unique, using an unusual artistic perspective in which Christ is seen from above. His Christ of St. John of The Cross was inspired by a weird mix of Spanish mysticism and nuclear physics, with his Christ being modelled by a Hollywood stuntman. It's also a masterpiece of painting technique.