We learn as much from victory as we do from loss. We employ strategies to gain the advantage, unconventional methods to overwhelm adversaries. One dedicated force steeped in mystique has always been part of war. Special operations, elite and unseen. Their presence felt by lethal attack. From the biblical era to the future of warfare, the battle environment is reshaped and redefined by special operations. Special Operations soldiers have come out of the trenches and are entering new domains of warfare.

(Click CC for subtitles) Rumors fly about whether an up-and-coming driver will join Hamilton on team Mercedes, potentially leaving Valtteri Bottas without a seat. Seemingly permanently stuck in the crisis of a one-year contract running out, this time Bottas has Mercedes golden boy George Russell breathing down his neck. The young Brit desperately wants Bottas’ seat, and things come to a head when the two collide at Imola. Scandalous.
Bottas can’t resist the inevitable though, and after Russell puts the F1 on the front row at Spa, whilst the Finn can only manage eighth, it looks to be all over. Thus follows a scene of Russell being told he has the Mercedes seat by Wolff in a scene which looks so staged it would make even cringe.

The way that wars are fought is constantly evolving. In the warfare of today and the future, it's the push of a button rather than the pull of a trigger, bringing disorder without a single soldier setting foot on the ground. The real-world battlefield has morphed from the bloody trenches of the front line into an age of cyber warfare. From collapsing all the infrastructure of a country to changing minds for elections, any threat you can imagine can be done.

We’re going back to the moon. Plans are being made, hardware is being designed, built, and tested to return humans to the moon and beyond in a new era of American space exploration. This episode explores how we did it in the past, and how and why we will do it again. The moon is critical to future explorations: it will be where we learn to build sustainable colonies on other worlds.

The Haas team looks to reverse its recent fortunes with a new sponsor and two rookie drivers: Nikita Mazepin and Mick Schumacher. Reliable Netflix gang-show entertainers, Guenther Steiner and his motley Haas crew are it again. This time they invited a Russian oligarch to sponsor them and his spoilt son to drive, what could possibly go wrong?
It soon turns out Nikita Mazepin can’t make head nor rear diffuser of the VF-21 car, being easily trounced by team-mate Mick Schumacher: 'I don’t know how he drives that thing' says poor Niki. Soon, some rather rude phrases are being exchanged between the team and driver, with the elder Mazepin threatening to withdraw his sponsorship early on in the season. However, what can only be described as a genius tyre call at his home grand prix in Sochi means young Maz rescues the situation and blazes a trail to finish.

Dr Janina Ramirez embarks on a journey through six decades of the BBC archives to create a television history of one of the most celebrated figures in art - Leonardo Da Vinci. Ramirez shows how experts and art presenters have turned to television to bring Leonardo's artwork out of galleries and into our living rooms. Through television they have explored the origins of Leonardo's boundless curiosity, his pioneering use of light and shade, and his remarkable scientific exploration.
Along the way Dr Ramirez discovers Britain's little-known version of The Last Supper, the gruesome ways Leonardo acquired his anatomical knowledge - and even what lies beneath the Mona Lisa.