In this ground-breaking film, Sir David Attenborough takes us on a journey through the world-famous Natural History Museum in London in a captivating tale of discovery, adventure, and magic, where state-of-the-art CGI, science, and research combine to bring the museum's now long-extinct inhabitants to life to discover how these animals once roamed the planet. As the doors are locked and night falls, Attenborough stays behind and meets some of the most fascinating extinct creatures which come alive in front of his eyes; dinosaurs, ice age beasts, and giant reptiles.
The film fulfils a lifelong dream of him, who said: 'I have been coming to the Natural History Museum since I was a boy. It's one of the great places to come to learn about natural history. In this film we have the technology to bring back to life some of the most romantic and extraordinary extinct creatures that can be conceived; some are relatively recent animals like the dodo, others older like the dinosaurs, and some we only know through fossil evidence. Using our current scientific knowledge, this film brings these creatures alive, allowing me to look at some of the biggest questions surrounding them.'

A remarkable 200-million-year-old fossil - the bones of an ichthyosaur, a giant sea dragon - has been discovered on the Jurassic coast of Britain. David Attenborough joins the hunt to bring this ancient creature's story to life. Using state-of-the-art imaging technology and CGI, the team reconstruct the skeleton and create the most detailed animation of an ichthyosaur ever made. Along the way, the team stumble into a 200-million-year-old murder mystery - and only painstaking forensic investigation can unravel the story of this extraordinary creature's fate.

Dr Nigel Spivey explores how art influences life by tracing the development of the image from cave paintings to our modern obsession with images. Dr. Spivey begins his investigation by travelling to the Cave of Altamira near the town of Santillana del Mar in Cantabria, Spain, where in 1879 a young girls exclamation of 'Papa, look, oxen!' to her father, local amateur archaeologist Marcelino Sanz de Sautuola, is explained to have meant that Maria had just become the first modern human to set eyes on the first gallery of prehistoric paintings ever to be discovered.

Alice Roberts explores the latest discoveries in the study of human origins, revealing the transformation that has been brought about in this field by genetics. Traditional Palaeoanthropology, based on fossils, is being transformed by advanced genome sequencing techniques. We now know that there were at least four other distinct species of human on the planet at the same time as us - some of them identified from astonishingly well-preserved DNA extracted from 50,000-year-old bones, others hinted at by archaic sections of DNA hidden in our modern genome. What's more, we now know that our ancestors met and interacted with these other humans, in ways that still have ramifications today. Alice uses these revelations to update our picture of the human family tree.

Travelling forward in time to 30,000 years ago, it's the middle of an ice age. The landscape is dominated by mighty mammoths, living side-by-side with woolly rhinos, giant deer and two separate species of human. The programme follows the fate of a herd of mammoths in their annual struggle against the harsh ice-age conditions. Every summer they spend on the grassy plains of what will one day become the bottom of the North Sea, but every winter they are forced to head for the less exposed valleys further south. It is a journey fraught with danger: mammoths can get trapped in frozen bogs, and the herd must run the gauntlet of hunters like cave lions and the deadly Neanderthals.

Stonehenge is an icon of prehistoric British culture, an enigma that has seduced archaeologists and tourists for centuries. Why is it here? What is its significance? And which forces inspired its creators? Now a group of international archaeologists led by the University of Birmingham and the Ludwig Boltzman Institute in Vienna believe that a new state-of-the-art approach is the key to unlocking Stonehenge's secrets. For four years the team have surveyed and mapped every monument, both visible and invisible, across ten square kilometres of the sacred landscape to create the most complete digital picture of Stonehenge and the surrounding area over millennia. Known monuments have yielded more data than ever before, revealing hidden structures within, and new finds are revolutionising the very timeline of Stonehenge. The film takes the viewer on a prehistoric journey from 8000 BC to 2500 BC as the scientists uncover the very origins of Stonehenge, learning why this landscape is sacred, preserved and has been revered by following generations. Evidence of war and conflict, as well as the cultivation of ideas and industry, is explored to reveal complex communities with international trade links as far-reaching as Spain and central Europe.