A Japanese playing card company called Nintendo enters gaming. To stay competitive in a modernizing Japan, their portfolio expanded to include toys and into the arcade. And the company hit it big with Donkey Kong and Super Mario, then later takes over home gaming with the Nintendo Entertainment System.

Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.

Nicholas felt enormous pressure to continue the dynasty and expand the empire. He saw his opportunity in the Far East. This brought him into conflict with a rising power, Japan. Russia's disastrous war against Japan prompts civil unrest. The birth of Prince Alexei is incredibly important. He's the long-awaited son that they had hoped so much for. But when Alexei is diagnosed with haemophilia, Siberian mystic Rasputin steps in. He's very good at realizing when something is open that will enable him to increase his power and wealth. The pressure of keeping the secret of Alexei's illness affects the political decisions that Nicky and Alix made for the rest of their reign.

The third assault on the tattered remains of Roman civilization came from even further North, where the melting glacial ice had created immense sheltered fjords, leaving its inhabitants little choice but the sea. These fearless navigators understood that dominion over the oceans was the key to their ambitions.
Where the Romans expanded incrementally, the Vikings adopted a bolder, more aggressive approach. So was it the Dark Age which failed Europe, or the stifling uniformity of the great Roman experiment? Were the lost tribes more victim than failure? Richard Rudgley will hope to shed new light on the real secrets of the so-called Dark Age.

The great mountain ranges are some of the planet's most spectacular landscapes, but they are unforgiving places to live in, and only a few animals have what it takes to live at extreme altitude. Mountain animals are amongst the most elusive in the world, and this film provides unique and intimate glimpses into their secretive lives. Witness the moment four snow leopards come together when a mother and cub become trapped between two rival males. Join grizzly bears as they dance against trees to rub off their winter fur and soar with golden eagles hunting amongst Europe's snow-capped peaks.

Experience the world from the viewpoint of animals themselves. From spellbinding wildlife spectacle to intimate encounters, Planet Earth II takes you closer than ever before.
Remote islands offer sanctuary for some of the planet's strangest and rarest creatures. The rare pygmy three-toed sloth enjoys a peaceful existence on an idyllic Caribbean island, while nesting albatross thrive in predator-free isolation. But island life always comes at a cost. On the Galapagos Islands, young marine iguana must escape an onslaught of deadly racer snakes the moment they hatch from the sand. On the sub-Antarctic island of Zavodovski, life gets more extreme still. Every day, one and a half million penguins risk being battered against the rocks by fierce waves as they try to get on and off the island.