Rehearsals briefly resume amid uncertainty over the band's future. Following a productive meeting with Harrison, the Beatles agree to abandon the idea of a live show and relocate to their Apple Corps studio to formally record the new album. Billy Preston, a musician the group met in Hamburg, joins in on the sessions on electric piano.

This widely praised by critics film was created with cooperation from Paul McCartney, Ringo Starr and the widows of John Lennon and George Harrison. Filmmaker Peter Jackson delves into invaluable footage archives to make a film that shows the truth about the Beatles recording together the album Let it Be, which had the working title of Get Back. The production employed film restoration techniques developed for Jackson's previous works on sixty hours of film footage and 150 hours of audio, spending four years in editing the series. The final cut covers 21 days in the studio with the Beatles and climaxes with the full 42-minute rooftop concert.
In part I, the Beatles begin rehearsing at Twickenham Studios for what is at first meant to be a television special about the recording of their next album leading up to a live show at a location to be determined. During the sessions, Paul McCartney and George Harrison play some songs that would later appear on their respective solo albums. After seven days of rehearsals, Harrison abruptly leaves the group.

The centre of our galaxy is home to an invisible monster of unimaginable power – a supermassive black hole named Sagittarius A star, with four million times the mass of the Sun. Recent astronomical breakthroughs have confirmed not only that black holes like Sagittarius A star exist, but that these bizarre invisible objects may be the ultimate galactic protagonists.
Stunning CGI takes us back to witness the fiery origins of our galaxy’s black hole 13.6 billion years ago, when the early universe was home to colossal blue stars, and when they ran out of fuel, they collapsed under their own enormous mass, crushing down into an object so small and so dense it punched a hole in the fabric of the universe. Over billions of years, Sagittarius A star feasted on nearby gas, stars, and through cataclysmic mergers with other black holes. A breakthrough discovery by Nasa’s Fermi gamma-ray telescope has shown that our black hole had the power to sculpt the entire galaxy, creating vast bubbles of gas above and below our galaxy and even protecting stars systems as ours.
In a mind-bending conclusion, Brian Cox reveals how our modern understanding of black holes is challenging our concepts of reality to the breaking point. In trying to understand the fate of objects that fall into Sagittarius A star, scientists have come to a stunning conclusion: space and time, concepts so foundational to how we experience the world around us, are not as fundamental as we once thought.

Professor Brian Cox continues his epic exploration of the cosmos by looking at the faint band of light that sweeps across the night sky - our own galaxy, the Milky Way. The Sun is just one of almost 400 billion stars that form this vast, majestic disk of light, our own home in the universe. Thanks to a cutting-edge space we’re finally able to reveal the Milky Way’s dramatic history and predict its cataclysmic future.
Our galaxy started out a fraction of the size it is today, and Gaia telescope has revealed how it grew over the eons. Beautifully rendered VFX based on the very latest Gaia data has uncovered the remarkable story of our galaxy’s evolution. As our young galaxy encountered rival galaxies, it experienced a series of violent growth spurts and intense periods of cataclysmic change while battling to survive. Each time our galaxy feeds, a new era of star formation begins, fuelled by incoming torrents of fresh gas and energy. And there is another collision to come. Another, larger galaxy is coming our way. Andromeda is heading straight for us at a quarter of a million miles per hour. The Milky Way’s long-term fate is in the balance.

The film is the long-awaited reunion concert of the renowned folk pop music duo, more than a decade after their separation as musical performers. It was recorded on the 19th September 1981 at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of an audience reported at the time as 500,000 people. The film includes two songs that had not appeared on the album.
Rolling Stone called the concert 'one of the finest performances, one that vividly recaptured another time, an era when well-crafted, melodic pop bore meanings that stretched beyond the musical sphere and into the realms of culture and politics.'

Humans have long gazed up at the night sky, wondering whether other lifeforms and intelligences could be thriving on worlds far beyond our own. But over the last few decades, ultra-sensitive telescopes and dogged detective work have transformed alien planet-hunting from science fiction into hard fact. We expected to find worlds similar to the planets in our own solar system, but we instead discovered a riot of exotic worlds. Vivid animation based on data from the most successful planet hunter of them all, the Kepler space telescope, brings these worlds into view: puffy planets with the density of polystyrene, unstable worlds orbiting two suns and 1,000-degree, broiling gas giants with skies whipped into titanic winds.
But perhaps the most startling discovery was the number of worlds that may be contenders for a second Earth, at the right distance from their sun to have that ingredient so crucial for life as we know it, liquid water. Amongst them, we witness the most tantalizing discovery of all: a so-called ‘super-Earth’, situated in the Goldilocks zone - the area just the right distance from a sun to potentially support life - and with the faint signal of water in its atmosphere.