Three years in the making, Francis Whately’s film is a social and musical history of (probably) the world’s greatest music festival, as told by its principal curators, Michael and Emily Eavis, and many of the key artists who’ve appeared there between 1970 and 2019 – Billie Eilish, Thom Yorke, Florence Welch, Dua Lipa, The Levellers, Aswad, Orbital, Fatboy Slim, Linda Lewis, Noel Gallagher, Ed O’Brien, Chris Martin, Stormzy and more.
Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere.
This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.

The film tells the story of the ill-fated Nazi Land Speed record attempts. This is a story of engineering excellence, Grand Prix racing, Nazi propaganda, celebrity, and an intense rivalry which would leave a speed record unbroken for 79 years and one of Nazi Germany's best racing drivers dead. During the rise of the Third Reich two German car manufacturers were ordered to build the most high performance vehicles the world had ever seen. What followed was a rivalry that would reap Grand Prix victories, international domination that was a propaganda coup, and provide world fame to its drivers who risked their lives smashing speed records that would stand for 79 years. All under the direct orders of the Fuhrer himself.
Bugatti and Alfa Romeo dominated racing before 1934. But the years from 1934 to 1939 were six tumultuous years in which Grand Prix racing was dominated by the German Auto Union, the arranged marriage of Audi, Horch, Wanderer, and DKW, and Mercedes-Benz teams and provided a spectacle of speed, sound and fury never previously attained and never since matched. There are few periods of racing that have excited as much interest, event attendance and sophistication of equipment as the era of the Silver Cars. They were so far ahead of their time that many of their accomplishments were not duplicated until Mercedes went racing again in the early 1950s. There is also something about men who faced the challenges of staying in a cockpit of a highly sophisticated machine capable of 200 mph with no safety systems. They were giants and among them were Italian Tazio Nuvolari and two greatest German pilots of the thirties, Rudolf Caracciola of Mercedes and Auto Union's Bernd Rosemeyer who duelled with faster, more innovative and sleeker machines, developed in wind tunnels.
This special documentary charts the rise of Nazi Germany's dominate 'Silver Arrow' Grand Prix and Speed Record cars of the 1930's. Leading motor racing and World War 2 experts James Holland, Richard Williams, Eberhard Reuss and Chris Routledge tell the story of the Nazi funded Auto Union and Mercedes Benz 'National Racing Cars'. Hitler's Supercars interweaves the rise of the Third Reich with the racing exploits it funded and what propaganda messages these racing cars where sending.

In the fifth episode we will see from counterfeit Beanie Babies to very real tax crime. One person wonders if could make refunds in the name of dead people. It turns out that it can.
We will also see an attempted fraud by two hackers to the IRS: the United States federal agency in charge of tax collection. These skilled hackers revisit cyber schemes that landed them in the sight of law enforcement.

Global superstar Jennifer Lopez reflects on her multifaceted career and the pressure of life in the spotlight in this intimate film. The documentary also unveils the characteristics that make the superstar the figure she is: from her performances on stages around the world, to her halftime show at the 2020 Super Bowl, one of the most controversial performances in the history of this show.
It also addresses how the international superstar, who has inspired people for decades with her perseverance, creative brilliance and cultural contributions, takes the reins of her career, using her voice for a greater purpose. Jennifer Lopez exposes her insecurities, the pressures the media has placed on her career and the effect paparazzi and tabloids have on the life of a star.

Jennifer Griffith and Sarah Carver were working for the Disability Administration and noticed all this corruption firsthand. They wrote to the Social Security Administration, wrote to lawyers, wrote to the president of the United States. But nothing ever came of their complaints until the Wall Street Journal story broke. Then, with national attention brought to Conn, the Senate, the FBI and the SSA (who’d been enabling the fraud the whole time) finally stepped in.
Series finale. Eric leads the government on a wild goose chase. The fallout from the fraud takes its toll on a struggling Kentucky community.

The film depicts the life and work of opera singer Maria Callas in her own words by using performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs nearly all of which have never been shown to the public.
Maria by Callas reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time. Her letters and unpublished memoirs are read by opera singer Joyce DiDonato. (Click CC for subtitles)