The next great voyage of human exploration has already begun: the search for life on planets orbiting distant stars. With extraordinary CGI, the world's most inspiring scientists, via extreme environments on Earth and around the solar system, the film takes viewers aboard the next generation of space ships, across the cosmos and beneath the clouds of the exo-planets to discover The Living Universe.
Part 1: 'The Planet Hunters' For as long as we’ve had eyes to see and minds to wonder we’ve marveled at the stars. Since the discovery of the first so-called exoplanet in 1994, the Planet Hunters have transformed the way we see the universe. It is the year 2157, and spacecraft Artemis enters the final phase of construction.

Stonehenge was shaped over centuries, but to what purpose? Was it a temple to the sun, or the moon, an astronomical calendar, or a shrine to dead ancestors? Now Stonehenge may be about to give up some of its secrets. For the first time in nearly half a century a new archaeological dig the sacred stone circle. And the men who are leading the excavation are well aware of the significance of this moment.
The film exposes an investigation into a radical theory that Stonehenge, far from being a place of burial as is commonly assumed, was in fact a place of healing. The investigation takes in forensic testing of bones excavated over the past decades and hard-won permission for the first dig in 50 years at the Henge, watched live online by millions of viewers around the world. Does the theory of the healing stones bear up to modern-day forensic science?

A man who overcame insurmountable odds to become one of the most loved and respected athletes of all time. From a starving teenager who fought to feed his family, to a Congressman working tirelessly to improve the lives of his people, Manny is a hard hitting feature length documentary film that explores the many triumphs and tribulations of Filipino boxing sensation Manny Pacquiao.

Every summer in the seas off Alaska humpback whales, sea lions and killer whales depend on an explosion of plant life, the plankton bloom. It transforms these seas into the richest on Earth. But will these animals survive to enjoy the great feast? The summer sun sparks the growth of phytoplankton, microscopic floating plants which can bloom in such vast numbers that they eclipse even the Amazon rainforest in sheer abundance of plant life. Remarkably, it is these minute plants that are the basis of all life here. But both whales and sea lions have obstacles to overcome before they can enjoy the feast. Humpback whales migrate 3,000 miles from Hawaii, and during their 3 month voyage lose a third of their body weight. In a heart-rending scene a mother sea lion loses her pup in a violent summer storm, while another dramatic sequence shows a group of killer whales working together to kill a huge male sea lion.
In late summer the plankton bloom is at its height. Vast shoals of herring gather to feed on it, diving birds round the fish up into a bait ball and then a humpback whale roars in to scoop up the entire ball of herring in one huge mouthful. When a dozen whales work together they employ the ultimate method of co-operative fishing - bubble net feeding. One whale blows a ring of bubbles to engulf the fish and then they charge in as one. Filmed from the surface, underwater and, for the first time, from the air, we reveal how these giant hunters can catch a tonne of fish every day.

The film uses drones, hidden and handheld cameras to expose the dark underbelly of modern animal agriculture, questioning the morality and validity of humankind's dominion over the animal kingdom. While mainly focusing on animals used for food, it also explores other ways animals are exploited and abused by humans, including clothing, entertainment and research.
In words of its writer & director, Chris Delforce, 'Dominion to me is the idea of one group or entity exercising control, power or authority over another, under the belief that they have the right to do so. Often this belief seems to stem from the perception of self-superiority and that might equals right. Through this film I challenge both the notion that animals are inferior, and that we as humans have the right to use and treat them as we please for our own ends – and I briefly examine how this superiority complex has and continues to complement some of humanity's darkest ideologies, asking viewers to consider the similarities between racism, sexism and speciesism.'

The great flood in the Okavango turns 4,000 square miles of arid plains into a beautiful wetland. Elephant mothers guide their families on an epic trek across the harsh Kalahari Desert towards it, siphoning fresh water from stagnant pools and facing hungry lions. Hippos battle for territory, as the magical water draws in thousands of buffalo and birds, and vast clouds of dragonflies. Will the young elephant calves survive to reach this grassland paradise? The experienced mother elephants time their arrival at the delta to coincide with the lush grass produced by the great flood.
In a TV first, the programme shows the way they use their trunks to siphon clean water from the surface layers of a stagnant pool, while avoiding stirring up the muddy sediment on the bottom with their feet. Lechwe swamp deer, zebras, giraffes, crocodiles and numerous fish and thousands of birds arrive in the delta. And, in a phenomenon never before filmed in the Okavango, thousands of dragonflies appear - seemingly from nowhere - within minutes of the flood arrival, mating and laying eggs. As the flood finally reaches its peak, elephants and buffalo, near the end of their epic trek across the desert, face the final gauntlet of a hungry pride of lions. In a heart-wrenching sequence, a baby elephant is brought down by a lion in broad daylight.