Seven years have passed since Antony's departure from Rome, and the former commander, dissipated and debauched - held in thrall by the charms and sexual prowess of his new bride, Cleopatra, withholds precious shipments of grain from Rome, where people die in the streets from hunger.
Unable to incite a war with Antony and Egypt without committing political suicide, Octavian sends Atia and Octavia to Alexandria to mediate and reason with Antony; a strategy which proves predictably unsuccessful.

Crucial and careful, the film gives empathetic breadth and depth to the complicated afterlife of child abuse as experienced by adult survivors.
At the height of his stardom Michael Jackson began long-running relationships with two boys, aged 7 and 10, and their families. Now in their 30s, they tell the story of how they were sexually abused by Jackson, and how they came to terms with it years later.

At the height of his stardom Michael Jackson began long-running relationships with two boys, aged 7 and 10, and their families. Now in their 30s, they tell the story of how they were sexually abused by Jackson, and how they came to terms with it years later.
Crucial and careful, the film gives empathetic breadth and depth to the complicated afterlife of child abuse as experienced by adult survivors.

An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.
Sam Dunn is a anthropologist and a lifelong metal fan. After years of studying diverse cultures, Sam turns his academic eye a little closer to home and embarks on an epic journey into the heart of heavy metal. His mission: to figure out why metal music is consistently stereotyped, dismissed and condemned, even while the tribe that loves it stubbornly holds its ground -- spreading the word, keeping the faith and adopting styles and attitudes that go way beyond the music.
Sam visits heavy metal landmarks as far flung as L.A.'s Sunset Strip, the dirty streets of Birmingham and the dark forests of Norway. Along the way, the two sides of Sam Dunn -- curious anthropologist and rabid fan -- collide, as Sam explores metal's obsession with sex, religion, violence and death, meets his heroes, and discovers some things about the culture that even he can't defend.

The film uses drones, hidden and handheld cameras to expose the dark underbelly of modern animal agriculture, questioning the morality and validity of humankind's dominion over the animal kingdom. While mainly focusing on animals used for food, it also explores other ways animals are exploited and abused by humans, including clothing, entertainment and research.
In words of its writer & director, Chris Delforce, 'Dominion to me is the idea of one group or entity exercising control, power or authority over another, under the belief that they have the right to do so. Often this belief seems to stem from the perception of self-superiority and that might equals right. Through this film I challenge both the notion that animals are inferior, and that we as humans have the right to use and treat them as we please for our own ends – and I briefly examine how this superiority complex has and continues to complement some of humanity's darkest ideologies, asking viewers to consider the similarities between racism, sexism and speciesism.'

Leading authority on the Middle Ages, Professor Robert Bartlett, presents a series which examines the way we thought during medieval times. In the second episode, Bartlett unearths remarkable evidence of the complex passions of Medieval men and women. The Church preached hatred of the flesh, promoted the cult of virginity and condemned woman as the sinful heir to Eve. Yet this was the era that gave birth to the idea of romantic love.