Narrated by David Tennant, Wings 3D is the breath-taking aerial adventure that takes goose bumps to new heights. Director John Downer uses breakthrough filming techniques and technology to bring you high-flying sights that will simply amaze you - because you won't believe what our feathered friends are doing up there.
Remarkable 3D footage captures majestic bald eagles scanning over the Grand Canyon, resplendent parrots on the wing, manta rays soaring skyward from the sea, barn swallows dive-bombing for a drink, cranes high over Venice waterways and so much more. Your historic flight is ready for departure.

Stonehenge was shaped over centuries, but to what purpose? Was it a temple to the sun, or the moon, an astronomical calendar, or a shrine to dead ancestors? Now Stonehenge may be about to give up some of its secrets. For the first time in nearly half a century a new archaeological dig the sacred stone circle. And the men who are leading the excavation are well aware of the significance of this moment.
The film exposes an investigation into a radical theory that Stonehenge, far from being a place of burial as is commonly assumed, was in fact a place of healing. The investigation takes in forensic testing of bones excavated over the past decades and hard-won permission for the first dig in 50 years at the Henge, watched live online by millions of viewers around the world. Does the theory of the healing stones bear up to modern-day forensic science?

Set in the wilderness of the Kamchatka Peninsula, the land of legends and the kingdom of wild brown bears, we follow the daily adventures of five wild brown bears. A mother bear and her two young ones, an adolescent male and an experienced male leader. Each of them have their own concerns and preoccupations. The mother must feed and protect her cubs, whilst all they want is to explore the big wide world out there, unaware of the dangers that lie ahead of them. The adolescent is coming of age and must find his place in the adult world, whereas the experienced male must constantly defend his supremacy and impose his strength.

Dr Hannah Fry explores a paradox at the heart of modern maths, discovered by Bertrand Russell, which undermines the very foundations of logic that all of maths is built on. These flaws suggest that maths isn't a true part of the universe but might just be a human language - fallible and imprecise. However, Hannah argues that Einstein's theoretical equations, such as E=mc2 and his theory of general relativity, are so good at predicting the universe that they must be reflecting some basic structure in it. This idea is supported by Kurt Godel, who proved that there are parts of maths that we have to take on faith.
Hannah then explores what maths can reveal about the fundamental building blocks of the universe - the subatomic, quantum world. The maths tells us that particles can exist in two states at once, and yet quantum physics is at the core of photosynthesis and therefore fundamental to most of life on earth - more evidence of discovering mathematical rules in nature. But if we accept that maths is part of the structure of the universe, there are two main problems: firstly, the two main theories that predict and describe the universe - quantum physics and general relativity - are actually incompatible; and secondly, most of the maths behind them suggests the likelihood of something even stranger - multiple universes.
We may just have to accept that the world really is weirder than we thought, and Hannah concludes that while we have invented the language of maths, the structure behind it all is something we discover. And beyond that, it is the debate about the origins of maths that has had the most profound consequences: it has truly transformed the human experience, giving us powerful new number systems and an understanding that now underpins the modern world.

Arguably the most powerful painting about war ever achieved. It portrays the slaughter of civilians after Napoleonic troops entered Madrid in 1808. The programme reveals the historical truths behind the painting and shows exactly how Goya achieved this masterpiece of protest. he painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era.
According to the art historian Kenneth Clark, The Third of May 1808 is 'the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention'. Discover how Goya used drawings by authentic witnesses to depict a real firing squad.

The film uses drones, hidden and handheld cameras to expose the dark underbelly of modern animal agriculture, questioning the morality and validity of humankind's dominion over the animal kingdom. While mainly focusing on animals used for food, it also explores other ways animals are exploited and abused by humans, including clothing, entertainment and research.
In words of its writer & director, Chris Delforce, 'Dominion to me is the idea of one group or entity exercising control, power or authority over another, under the belief that they have the right to do so. Often this belief seems to stem from the perception of self-superiority and that might equals right. Through this film I challenge both the notion that animals are inferior, and that we as humans have the right to use and treat them as we please for our own ends – and I briefly examine how this superiority complex has and continues to complement some of humanity's darkest ideologies, asking viewers to consider the similarities between racism, sexism and speciesism.'