The Joker, Lex Luthor, Catwoman, Doomsday, Bane. What makes them so thrillingly watchable? So terribly wonderful? So extremely vital to our super heroes and their worlds? This feature-length documentary explores these questions across seven decades of DC Comics’ hallowed Rogues’ Gallery of infamous evildoers.
Narrated by esteemed film villain Christopher Lee,examines the tortured psyches of your favorite animation, comic book, game, TV and feature film baddies – both from the past and into the future – against the backdrop of culture, history and society. Insights from famed creators and storytellers, including Zack Snyder, Guillermo del Toro, Jim Lee, Geoff Johns and Richard Donner, shine a fascinating light on those malevolent, charismatic characters who thrive in the dark.

Narrated by David Tennant, Wings 3D is the breath-taking aerial adventure that takes goose bumps to new heights. Director John Downer uses breakthrough filming techniques and technology to bring you high-flying sights that will simply amaze you - because you won't believe what our feathered friends are doing up there.
Remarkable 3D footage captures majestic bald eagles scanning over the Grand Canyon, resplendent parrots on the wing, manta rays soaring skyward from the sea, barn swallows dive-bombing for a drink, cranes high over Venice waterways and so much more. Your historic flight is ready for departure.

Salvador Dali's strange crucifixion is often called the greatest religious painting of the 20th century. Yet its artist was a notorious blasphemer some of whose work had outraged the Catholic Church. The Christ of St John of the Cross by Salvador Dali is the first of two extraordinary crucifixions painted by Dali in the early 1950s. The painting is based on a 'cosmic dream' Dali is said to have had, in which the nucleus of the atom was a figure of Christ himself.
The painting offers a surrealist view of the crucifixion of Christ, and is based on a drawing by the 16th century Spanish friar Saint John of the Cross. But Dali's vision was somewhat unique, using an unusual artistic perspective in which Christ is seen from above. His Christ of St. John of The Cross was inspired by a weird mix of Spanish mysticism and nuclear physics, with his Christ being modelled by a Hollywood stuntman. It's also a masterpiece of painting technique.

The film focuses on the historic files of the Disclosure Project and how UFO secrecy has been ruthlessly enforced-and why. The best evidence for extra-terrestrial contact, dating back decades, is presented with direct top-secret witness testimony, documents and UFO footage, 80% of which has never been revealed anywhere else. The behind-the-scenes research and high-level meetings convened by Dr. Steven Greer will expose the degree of illegal, covert operations at the core of UFO secrecy.
From briefings with the CIA Director, top Pentagon Generals and Admirals, to the briefing of President Obama via senior advisor John Podesta, chairman of the Hillary Clinton Campaign, we take the viewer behind the veil of secrecy and into the corridors of real power where the UFO secrets reside. The viewer will learn that a silent coup d'état has occurred dating back to the 1950s and that the Congress, the President and other world leaders have been sidelined.

Episode three explores the mind of one of the most fanatical of all Nazis and the insight that gives into the psychology of dictatorship. Hess is brought to Nuremberg from the UK where he had flown 4 years earlier much to the bemusement of the British. Overy explains that they must have quickly realised he was not normal. In the intervening time Hess’s mental state has further deteriorated and when interviewed by Chief Interrogator Colonel John Amen proclaims amnesia. Chief Interpreter Richard Sonnenfeldt explains that they brought in Göring to confront Hess but that he too failed to make an impression.
Psychopathologist Prof. Edgar Jones proposes Hess’s behaviour patterns may be his way of escaping reality as he is forced to face the extent of the atrocities and choose between accepting his part of the blame or forsaking his Führer. However, as history Professor Robert Gellatel explains it is difficult to construct a case against Hess as he was imprisoned in England when the worst of the atrocities were carried out so British Prosecutor Mervyn Griffith-Jones must argue a conspiracy charge linking the pre-1939 persecutions to the post-1939 atrocities and a crimes against peace charge proving the flight to Scotland was merely a ruse.

The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.