Documentary AreaSimply the best Documentaries

How did humanity's earliest ancestors evolve into one of the most successful species on Earth? An extraordinary journey tracing the footsteps of early hominids. Using the latest palaeoanthropological findings mixed with the latest CGI from Square Enix, this story is finally told.

A chronological look at The Doors, focusing on lead singer, Jim Morrison (1943-1971), from the formation of the band in 1965, it's first gigs, and first album, to Morrison's death, after years of alcohol and drug use. Along the journey, we see rare exclusive footage, performances, and private moments including a Miami concert resulting in Morrison's arrest and trial for indecency. His love of the spotlight, his desire to be a poet, and his alcohol-fueled mood swings lead to a back and forth between public and private desires, successes, and failures. The band's music plays throughout.

Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a '27 Club' began to catch on in public perception, reignited with the death of Amy Winehouse in 2011.
Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.

At a powderkeg moment in American policing, 'The Force' goes deep inside the embattled Oakland Police Department as it struggles to reform itself amid growing local controversy. Filmmaker Peter Nicks embedded with the department over the course of two years to follow its serial efforts to recast itself. The film focuses on the new chief brought in to effect reform at the very moment the Black Lives Matter movement emerges to demand police accountability and racial justice both in Oakland and across the nation.
'The Force' goes inside an embattled urban police department struggling to rebuild trust in one of America's most violent yet promising cities.

Years after he changed the landscape of filmmaking with The Exorcist, filmaker and writer William Friedkin moves from fiction to fact with this documentary. What began as a brief conversation between Friedkin and Father Gabrielle Amorth - the head Exorcist for the Diocese of Rome for over 30 years - as two professionals who knew of each other's work, soon transformed into an once-in-a-lifetime opportunity, as Amorth agreed Friedkin could film an exorcism ceremony. It would be the ninth exorcism for a painfully afflicted woman, and it would be filmed by Friedkin alone, with no other crew allowed, no light other than the natural light in the room and a small digital camera-and-mic unit that could capture the ritual and its revelations.
Combining the startling and singular footage from Cristina's exorcism with interviews from priests and psychologists, neurosurgeons and non-believers, Friedkin guides us on a journey into the twilight world between the boundaries of what we know and what we don't.

The end is coming. But which cosmic catastrophe will deliver the death blow? Were the Vikings right to fear the frozen apocalypse of an endless winter? Did the Buddhists correctly predict a fiery end to life on Earth? Or will the thunderous Christian vision of Armageddon come crashing down from the stars? Which ancient prophesy do scientists believe accurately foretells our doom? And how close are we to the end of the world?
This film explores all the possibilities Apocalyptic Visions to the Future.