Cinematography

A series of unfortunate events plague the cast and crew during the making of The Omen, raising concerns that the film might be cursed by the devil himself.

Years after Bruce Lee's mysterious death is attributed to the 'Lee Family Curse', his son Brandon's life was cut short due to a tragic on-set accident during the making of The Crow. As Lee had finished most of his scenes before his death, the film was completed through script rewrites, a stunt double, and digital effects. The Crow is dedicated to Brandon Lee and his fiancée, Eliza Hutton.

An in-depth voyage into the sci-fi film 'Alien' with the visionary filmmakers who created it. See how one of the most terrifying movies of all time came to life 40 years ago and the untold origin story behind Ridley Scott's movie.
It was rooted in Greek and Egyptian mythologies and in our universal fears, and the history was inspired by underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. The documentary is a contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.

The documentary reveals the hidden power of sound in film and in our lives through interviews, film clips and a look at its actual process of creation and discovery. It captures the history, impact and creative process of this art form with insightful, poignant and entertaining stories told by legendary sound designers and visionary directors, and the sound artists they collaborate with who create the magic in all the films we love.

The wartime contributions of five prominent Hollywood film directors during World War II are profiled. The documentary focuses on five directors – John Ford, William Wyler, John Huston, Frank Capra, and George Stevens – whose war-related works are analysed by modern filmmakers, respectively Paul Greengrass, Steven Spielberg, Francis Ford Coppola, Guillermo del Toro, and Lawrence Kasdan. In the first episode, John Ford's The Battle of Midway was approved directly by President Franklin D. Roosevelt while Frank Capra fights to get Why We Fight made.

The five directors, John Ford, William Wyler, John Huston, Frank Capra, and George Stevens, return to Hollywood after the war but are forever haunted by what they saw. Ford goes on a drinking bender after filming the carnage at D-Day. Stevens is wholly unprepared for the horrors of Dachau and realizes he is not there to film propaganda but to capture evidence of crimes against humanity. Wyler, who lost his hearing during the war, fears his career is over. Huston chronicles soldiers suffering from postraumatic stress disorder in the film Let There Be Light, only to have it suppressed by the U.S. government.