The film is focused on and celebrating the radical changes in postwar Britain under the Labour government of Clement Attlee, which came to power in 1945. Relying primarily on archive footage and interviews, and without a narrative voiceover, the documentary recounts the endemic poverty in prewar Britain, the sense of optimism that followed victory in World War II and the subsequent expansion of the welfare state, founding of the National Health Service and nationalisation of significant parts of the UK's economy.
The film documents the extent to which these achievements, as the filmmaker Ken Loach sees them, have since been subject to attack in the decades that followed, particularly under the Conservative governments of Margaret Thatcher in the 1980s

Without words, Ron Fricke shows us the world, with an emphasis not on 'where,' but on 'what's there.' It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky. (Click CC for places description)

The 1950's - the iconic Scuderia Ferrari battle to stay on top in one of the deadliest decades in motor racing history. Cars and drivers were pushed to their limits, and the competition for the world championship meant racing on a knife edge where one mistake could take a life. At the centre of it all was Enzo Ferrari, a towering figure in motor racing who was driven to win at any cost.
Amidst the stiff competition within his Ferrari team, two of its British stars, Peter Collins and Mike Hawthorn, put friendship first and the championship second. Ferrari: Race to Immortality tells the story of the loves and losses, triumphs and tragedy of Ferrari's most celebrated drivers in an era where they lived la dolce vita during the week and it was win or die on any given Sunday.

Music, art and chaos in the wild West-Berlin of the 1980s. The walled-in city became the creative melting pot for sub- and pop-culture. Before the iron curtain fell, everything and anything seemed possible. B-Movie is a fast-paced collage of mostly unreleased film and TV footage from a frenzied but creative decade, starting with punk and ending with the Love Parade, in a city where the days are short and the nights are endless. Where it was not about long-term success, but about living for the moment - the here and now. (Click CC for closed captions)

When notorious white supremacist Craig Cobb moves into their town, the residents of Leith in North Dakota do what they can to prevent him from taking control of the municipality. Filmed in the days leading up to Cobb's arrest for terrorizing the townspeople on an armed patrol and his subsequent release from jail six months later, the film is an eerie document of American DIY ideals.

On a dusty highway between Australia's most isolated city and its largest gold pit lies Coolgardie - where the arrival every three months of a new pair of foreign backpackers to work the only bar in town is a keenly anticipated event. Fresh off the plane and lured by the promise of an authentic outback experience, Finnish travellers Lina and Steph find themselves en route to a dot on the map - to pour beers, replenish depleted travel funds, and live amongst the locals. But their working holiday quickly deteriorates into a baptism of fire.
Harangued by their new boss, relentlessly pursued by booze-addled patrons, and prey to the madness and malaise of an environment as claustrophobic as it is isolated - the girls soon realise that to meet expectations out here, they'll need to do more than just serve drinks.