An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.
Sam Dunn is a anthropologist and a lifelong metal fan. After years of studying diverse cultures, Sam turns his academic eye a little closer to home and embarks on an epic journey into the heart of heavy metal. His mission: to figure out why metal music is consistently stereotyped, dismissed and condemned, even while the tribe that loves it stubbornly holds its ground -- spreading the word, keeping the faith and adopting styles and attitudes that go way beyond the music.
Sam visits heavy metal landmarks as far flung as L.A.'s Sunset Strip, the dirty streets of Birmingham and the dark forests of Norway. Along the way, the two sides of Sam Dunn -- curious anthropologist and rabid fan -- collide, as Sam explores metal's obsession with sex, religion, violence and death, meets his heroes, and discovers some things about the culture that even he can't defend.

Without doubt, the Eagles are one of the all-time biggest acts in popular music since the dawn of the rock'n'roll era. The band's roots go back to their role as defining artists in the phenomenally popular Southern California rock scene of the '70s, a decade in which they delivered four consecutive #1 albums.
Their momentous 2004 farewell tour filled stadiums around the world, and this series captures one of the most stellar events from that now-historic global sweep. It was filmed in Melbourne, Australia at the Rod Laver Arena on November 14, 15 and 17, 2004.

A music documentary about Metallica's making of their album 'St. Anger' and the difficulties they had to go through in the process. Joe Berlinger shot over 1200 hours and followed one of the most successful heavy-metal band in history around night and day for over a year to create this documentary. It tells the trials and tribulations of the group as they cut their first album in six years. The members of the band submitted to two years of intensive group therapy to work through conflicts in their 20-year working relationship.

A rare and hard-to-find concert of the band at the pinnacle of their fame. This performance offers an intimate glimpse into the energy and raw talent that propelled Oasis to be Britpop's defining act. Viewers are treated to a setlist brimming with anthems that have since become the hymns of a generation. The program not only features electrifying live renditions but also provides candid insights into the band's dynamics, including the legendary brotherly feuds that are as much a part of Oasis's story as their music.
This special is a must-watch for music enthusiasts, offering a unique snapshot of a band that epitomized the spirit of the 90s and continues to influence artists around the globe.

Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.
This circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome.

the story of rock singer "Pink" who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album "The Wall" by Pink Floyd, the film begins in Pink's youth where he is crushed by the love of his mother. Several years later, he is punished by the teachers in school because he is starting to write poems. He slowly begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Directed by Alan Parker