West Perrine, Florida is a suburban ghetto in Southwest Miami. Over 63% of its residents are African-American and the unemployment rate is three times higher than the national rate. Violent crimes occur on a daily basis in this neighborhood of less than two square miles, where much of its adult male population winds up dead or in prison before their 30th birthday. But there is hope in the hood... Dhafir 'Dada 5000' Harris has built a ring in his momma's backyard and transforms himself into the Don King of illegal backyard fights in Perrine". Dada 5000 (6'3", 270lbs., bench presses 670lbs) grew up blocks away from Perrine's MMA sensation, Kimbo Slice, and spent a year traveling the world as Kimbo's bodyguard. When Kimbo's manager buried video of Dada's spectacular backyard fight debut, for fear of Dada overshadowing his rising superstar, Dada leaves Kimbo's crew and makes a life-changing decisión. In his ring there is no doctors, no ambulance. Just two men in a 12'x12' ring battling in a savage bare-knuckle fight to the finish. Dada's gladiators give everything in the the backyard to feed their families and to try to fight their way out of hood. Meanwhile Dada returns to the ring, is discovered by professional scouts and gets his shot at turning pro in the octagon at the Hard Rock Hotel and Casino.

Boxing, 'the poor man's sport', has long given kids from America's roughest neighborhoods an opportunity to escape violence with violence. But with success in the ring comes new fights for which there is no training: champions are made and broken in the blink of an eye, and young men thrust into the spotlight are often ill-equipped for the fame, fortune, and hangers-on that accompany a title belt". And for many, the toughest bouts are fought during retirement, when health and financial issues begin to mount. Built around the stories of heavyweight legends as Mike Tyson, Evander Holyfield and Bernard Hopkins, We will examine their lives in and out of the ring.

Filmmaker and artist Yann Arthus-Bertrand spent 3 years collecting real-life emotional stories from more than 2,000 women and men in 60 countries. Those emotions, those tears and smiles, those struggles and those laughs are the ones uniting us all. A combination of testimonies and exclusive aerial images, HUMAN is a unique documentary. This sensitive experience is an introspection into whom we are today as a community but also and most importantly as an individual. Through wars, inequalities, discriminations, HUMAN confronts us with the realities and the diversity of our human conditions. Beyond this darker side, testimonies show the empathy and the solidarities which we are capable of. All these contradictions are ours and HUMAN leads us to reflect about the future we wish to give to people and the planet today.

To show what the USA can learn from rest of the world, director Michael Moore playfully visits various nations in Europe and Africa as a one-man "invader" to take their ideas and practices for America. Whether it is Italy with its generous vacation time allotments, France with its gourmet school lunches, German with its industrial policy, Norway and its prison system, Tunisia and its strongly progressive women's policy and Iceland and its strong female presence in government and business among others, Michael Moore discovers there is much that American should emulate

In an invisible territory at the margins of society lives a wounded community who face the threat of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love; ex-special forces soldiers still at war with the world; floundering young women and future mothers; and old people who have not lost their desire to live. Through this hidden pocket of humanity, renowned documentarian Roberto Minervini opens a window to the abyss of today's America.

Laurie Anderson embarks on a cinematic journey through love, death and language. Cantering on Anderson's beloved rat terrier Lolabelle, who died in 2011, the film is a personal essay that weaves together childhood memories, video diaries, philosophical musings on data collection, surveillance culture and the Buddhist conception of the afterlife, and heartfelt tributes to the artists, writers, musicians and thinkers who inspire her. Fusing her own witty, inquisitive narration with original violin compositions, hand-drawn animation, 8mm home movies and artwork culled from exhibitions past and present, Anderson creates a hypnotic, collage-like visual language out of the raw materials of her life and art, examining how stories are constructed and told - and how we use them to make sense of our lives.