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A 4000-year-old body is found preserved in an Irish peat bog, in Cashel, Ireland. To scientists and historians, it could offer brand new clues to solve an ancient mystery: the hundreds of bodies found mummified in the boglands of Northern Europe. Now, will Cashel Man help prove the theory these Irish victims were ancient kings? And what clues can the bog bodies of Europe offer to explain our ancestors' most macabre tradition - ritual murder? Meanwhile, that question could be answered by the bog itself.

Professor Alice Roberts journeys 40,000 years back in time on the trail of the great beasts of the Ice Age. Drawing on the latest scientific detective work and a dash of graphic wizardry, we bring the Ice Age Giants back to life. The series begins in the 'land of the sabre-tooth'; North America, a continent that was half covered by ice that was up to two miles thick. Yet this frozen land also boasted the most impressive cast of Ice Age giants in the world. Across locations such as the Grand Canyon, the sands of Arizona and the coast of California, Alice traces the movements of Ice Age beasts like bear-sized sloths, vast mammoths and the strange beast known as the glyptodon. These leviathans all have one thing in common: they were stalked by the meanest big cat that ever prowled the Earth, armed with seven-inch teeth and hunting in packs - Smilodon fatalis, the sabre-toothed cat.

Even after thousands of years of ice crushing the northern hemisphere and temperatures of 20 degrees lower than those of today, many of the great giants of the ice age still walked the earth. It was only when the world had warmed up again that mammoths, woolly rhinos, sabre-toothed cats, giant ground sloths and glyptodonts finally became extinct. Professor Alice Roberts sets off on her last voyage back to the Ice Age to discover why.

Through the mountains and jungles of Colombia, Cooper goes in search of the truth behind one of the greatest stories ever told - the legend of El Dorado. His journey takes him from Bogota to the Caribbean coast, through territories once dominated by two cultures, the Muisca and the Tairona, who flourished for centuries before the arrival of the Spanish in the 16th century. Cooper reveals forgotten peoples who valued gold in a way the Western world still struggles to understand, travelling to an astonishing lost city and meeting the last survivors of an ancient civilisation.

Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century.

Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.