Painting became an important means of communication for David since his face was slashed during a sword fight and his speech became impeded by a benign tumour that developed from the wound, leading him to stammer. He was interested in painting in a new classical style that departed from the frivolity of the Rococo period and reflected the moral and austere climate before the French Revolution. David became closely aligned with the republican government and his work was increasingly used as propaganda with the Death of Marat proving his most controversial work.

Artists, academics, and critics discuss the historical origins, original reception, and slow climb to critical acclaim for Eugene Delacroix's painting commemorating the Revolution of 1830, 'Liberty Leading the People.'
A woman of the people with a phrygian cap personifying the concept of Liberty leads the people forward over a barricade and the bodies of the fallen, holding the flag of the French Revolution – the tricolour, which again became France's national flag after these events – in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne.

This award-winning series, Private Life of a Masterpiece, reveals the full and fascinating stories behind famous works of art, not just how they came to be created, but also how they influenced others and came to have a life of their own in the modern world. The works of art featured here are both instantly familiar and profoundly mysterious. Revolutionary in their conception, and iconic years after their execution, they each have their own compelling stories. For behind the beautiful canvases and sculptures are tales of political revolution, wartime escapes, massive ego clashes, social scandal, financial wrangling and shocking violence. In this fascinating series key works of art are investigated and the intricate details of their lives revealed - the history, contemporary reactions, and legacies of each are illustrated.
A Sunday Afternoon on the Island of La Grande Jatte is a popular masterpiece and yet an enduring enigma. It seems to show a quiet scene in a Paris park but there are hints at the demi-monde, if you know where to look. The most remarkable aspect of this vast canvas however remains Seurat's technique his revolutionary pointillism.

Arguably the most powerful painting about war ever achieved. It portrays the slaughter of civilians after Napoleonic troops entered Madrid in 1808. The programme reveals the historical truths behind the painting and shows exactly how Goya achieved this masterpiece of protest. he painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era.
According to the art historian Kenneth Clark, The Third of May 1808 is 'the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention'. Discover how Goya used drawings by authentic witnesses to depict a real firing squad.

This is the story of a book that could have changed the history of the World. To the untrained eye, it is nothing more than a small and unassuming Byzantine prayer book. For faintly visible beneath the prayers on its pages are other, unique, writings - words that have been lost for nearly two thousand years. The text is the only record of work by one of the world's greatest minds - the ancient Greek, Archimedes - a mathematical genius centuries ahead of his time. Hidden for a millennium in a middle eastern library, it has been written over, broken up, painted on, cut up and re-glued. But in the nick of time scientists have saved the precious, fragile document, and for the first time it is revealing just how revolutionary Archimedes' ideas were. If it had been available to scholars during the Renaissance, we might have reached the Moon over a hundred years ago.

The series Warrior Graveyard uncovers some extraordinary warrior skeletons from history. Archaeologists and forensic scientists use remains to tell the story of famous warriors of the past and unleash the full force of modern forensics upon them: battle scars, bone deformations and recoverable scraps of DNA will all be tested and explored. CGI and drama will then bring them dramatically to life, revealing a revolutionary new picture of how these warriors lived - and died.
An archaeological and forensic examination of six crusaders' bones brings to life the 1179 Battle of Jacob's Ford, revealing the wounds that killed the warriors in the Holy Land. With every sword slash comes an insight into an historic day. Excavations along the Israel/ Jordan border are unearthing skeletons and rewriting the history of the First Crusade. The site at Jacob's Ford is the only known Crusader battle site with complete skeletons. To secure the road between Akkon and Damascus, King Baldwin IV of Jerusalem had a mighty castle built at the Jacob's Ford of the Jordan River in October 1178. The fortress was a thorn in the side of Sultan Saladin, so he had it stormed a year later, before it was completed.
Excavations have been taking place on the site of the legendary crusader castle since the early 1990s. Archaeologists and forensic experts have examined the remains of six fallen crusaders and uncovered fascinating details about the Battle of Chastellet. The programme has secured access to the excavation and remains of some of the 80 Crusader Knights and 750 foot soldiers stationed at the fort when it was attacked and its Crusaders massacred by Saladin's army in 1179, in the battle that changed the course of history in the Middle East.