Join Keanu Reeves on a tour of the past and the future of filmmaking. Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. The film investigates the history, process and workflow of both digital and photochemical film creation. We will explore it via in-depth interviews with directors, cinematographers, colorists, scientists, engineers and artists such as James Cameron, David Fincher, David Lynch, Martin Scorsese, Steven Soderbergh, and many more

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.

It walks through the making of the film, the hurricane during shooting, and how it helped change the world of special effects. All interviews for these retrospective documentaries come with comments from Spielberg, Johnston, Neill, Dern, Goldblum, the effects crews, the child actors, and Peter Stormare. This is a extra for the Jurassic Park Trilogy and is broken into three parts: Dawn of a New Era (25 min) Making History (20 min), and the Next Step in Evolution (15 min)

The 24th July 2010... 80,000 Lives... 4,500 Hours of Footage... 2 Award winning Filmmakers... Now one incredible motion picture event. What began life as a startling cinematic experiment becomes the must see movie experience. Created entirely from footage uploaded by YouTube users, Life in a Day is a film first: exhilarating, moving and very, very funny. It is the story of our world. Told by us. Ridley Scott produced the film and edited the videos into a film with director Kevin Macdonald and film editor Joe Walker

Prepare yourself for an unparalleled sensory experience. Samsara reunites director Ron Fricke and producer Mark Magidson, whose award-winning films Baraka and Chronos were acclaimed for combining visual and musical artistry. Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity's spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.

Follow actor William Shatner through interviews with the other actors who have portrayed starship Enterprise captains in five other incarnations of the Star Trek franchise. Shatner's subjects discuss their lives and careers before, during and after their tenure with Star Trek. With the use of conversations and archival footage, they explore the pressures, stigmas and sacrifices that accompanied their roles and their larger careers. During the process of the film and with help from the other Captains, Sir Patrick Stewart, Avery Brooks, Kate Mulgrew, Scott Bakula and Chris Pine, Shatner overcomes his disdain and learns to embrace his best known character, Captain James T. Kirk.