In the world of painted wolves, a remarkable family saga unfolds. It's a gripping tale of fierce rivalry, cunning survival, and complex social dynamics. Two leading figures, Tait and Blacktip, lead their respective packs through the wild landscapes of the Zambezi Valley. But what happens when a new generation challenges the old? The struggle for dominance and territory is set against the backdrop of a rapidly changing environment. As painted wolves face habitat loss, their future hangs in the balance.
This episode offers a captivating and emotional journey through the lives of these incredible creatures, showcasing their unique communication and social structure. Will they be able to hold their place among Africa's great hunters, or will the challenges prove insurmountable? Don't miss the chance to witness this unforgettable story.

Take a look at the issues that will change the way we live our lives in the future. Hannah Fry delves into the data we have today to provide an evidence-based vision of tomorrow. With the help of science experts Hannah tries to discover whether we could ever live forever or if there will ever be a cure for cancer. She finds out how research into the human brain may one day help with mental health, and if it is possible to ever ditch fossil fuels. Hannah and her guests also discover the future of transport - and when, if ever, we really will see flying cars. She discovers whether a robot will take your job or if, as some believe, we will all one day actually become cyborgs. The programme predicts what the weather will be like and discovers if we are on the verge of another mass extinction. Hannah's tenth prediction is something she - and Horizon - are confident will definitely happen, and that is to expect the unexpected!

Scientists investigate the way the Sun builds its power -- through fusion -- hoping to find a way to use fusion as a less dangerous and less radioactive waste-producing path to energy than fission. But there are some major difficulties along the way. Fusion really is the perfect way to make energy. We have millions of years worth of fuel. It produces no long-lived radioactive waste. If we can solve the engineering challenges, energy will become cheaper, more available for everybody.

Is it humankind's greatest achievement? 12 billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space. It is the first human-made object ever to do so. Slowly dying within its heart is a plutonium generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity and all our creations. It could be the only thing to mark our existence. Perhaps some day an alien will find it and wonder. The story of Voyager is an epic of human achievement, personal drama and almost miraculous success. Launched 16 days apart in Autumn 1977, the twin Voyager space probes have defied all the odds, survived countless near misses and almost 40 years later continue to beam revolutionary information across unimaginable distances.

The wartime contributions of five prominent Hollywood film directors during World War II are profiled. The documentary focuses on five directors – John Ford, William Wyler, John Huston, Frank Capra, and George Stevens – whose war-related works are analysed by modern filmmakers, respectively Paul Greengrass, Steven Spielberg, Francis Ford Coppola, Guillermo del Toro, and Lawrence Kasdan. In the first episode, John Ford's The Battle of Midway was approved directly by President Franklin D. Roosevelt while Frank Capra fights to get Why We Fight made.

In the second episode, the directors learn their vision for the films is not always permissible by the U.S. government. Wyler is shocked by the racism he encounters against African American soldiers and refused to make a film recruiting black soldiers. Meanwhile, the films' racist depiction of the Japanese versus human depiction of the Germans causes worry for the War Department, which at that time planned to redistribute the Japanese-American population from internment camps into towns across the United States.