The dome that crowns Florence's great cathedral of Santa Maria del Fiore, the Duomo, is a masterpiece of Renaissance ingenuity and an enduring source of mystery. Still the largest masonry dome on earth, it is taller than the Statue of Liberty and weighs as much as an average cruise ship. Historians and engineers have long debated how its architect, Filippo Brunelleschi, kept the dome perfectly aligned and symmetrical as the sides rose and converged toward the center." More than four million bricks could collapse at any moment -- and we still don't understand how Brunelleschi prevented it. To test the latest theories, a team of U.S. bricklayers will help build an experimental "mini-Duomo" using period tools and techniques.

Buddhists, Hindus, and hundreds of thousands of travellers from around the globe flock to Cambodia every year to experience the grandeur of Angkor. Its famous temples were built over the span of five centuries by the rulers of the Khmer Empire, and endure today as one of Earth's greatest archaeological wonders. Join us as we shed light on one of the most enigmatic, mesmerizing civilizations in the history of mankind. We peel away the myth and legend to uncover the hidden story behind the creation of this ancient city.
Angkor Wat is the largest temple on the face of the Earth and is a symbol of one of the greatest empires in the history of Southeast Asia. And yet, for centuries, the sacred structure remained lost within the tropical forests of Cambodia, along with the history of the young king who built the temple. Discover the story of Suryavarman II and how he ushered in the golden age of the Khmer Empire. See how Angkor Wat was constructed over four backbreaking decades, and witness the monument in its true glory and splendour, as it appeared 900 years ago.

Andrew Graham-Dixon begins his exploration of German art by looking at the rich and often neglected art of the German middle ages and Renaissance. He visits the towering cathedral of Cologne, a place which encapsulates the varied and often contradictory character of German art. In Munch he gets to grips with the earliest paintings of the Northern Renaissance, the woodcuts of Albrecht Durer and the cosmic visions of the painter Albrecht Altdorfer. Andrew also embarks on a tour of the Bavarian countryside, discovering some of the little-known treasures of German limewood sculpture.

There is a tendency to deny German culture the equal reverence of Italy or Spain, and this enlightening new series provides a wonderful opportunity to explore a great, yet often neglected, artistic tradition whose influence has been just as profound. Andrew Graham-Dixon concludes his exploration of German art by investigating the dark and difficult times of the 20th century. Dominating the landscape is the figure of Adolf Hitler, failed artist, would-be architect and obsessed with the aesthetics of his 1,000-year Reich". In a series of extraordinary building projects and exhibitions, Hitler waged a propaganda war against every form of modern art as a prelude to unleashing total war on the whole of Europe. After the war the shadow of the Third Reich persisted, Germany remained divided and traumatised. How would artists deal with a past that everybody wanted to forget? Journeying through the work of Otto Dix and George Grosz and the age of the Bauhaus to the post-war painters Georg Baselitz, Hilla Becher and the conceptual artist Joseph Beuys is a long and strange journey, but the signs that art has a place at the heart of the new reunited Germany are clearly visible.

An apocryphal view on the pyramids, starting in awe at the amazing achievement of the Pharaonic architecture and sculpture, most specially at Gizeh, given Cheops's pyramid's size, weight, incredibly precise carving, four pairs of slightly shifted half sides, stunningly precisely measured shapes and symmetry. Then it questions and challenges conventional Egyptology beliefs, which it calls unproven or even impossible to verify, such as the absence of machines, a wharf duration of only 20 years or accidental equinox-orientation. Next it elaborates the theory that other major pyramid technology sites in Precolombian America, Easter Island and China can't coincidentally lie on two lines intersecting at Gizeh, even if not contemporaneous and without known contacts in their ages, and have several improbable things in common, like some of their cultures. Elaborate mathematical theories and measurements indicate the Egyptians must have known some astronomy, pi and the golden number

Andrew Graham-Dixon explores how Russia changed from a feudal nation of aristocratic excess to a hotbed of revolution at the beginning of the 20th century and how art moved from being a servant of the state to an agent of its destruction. From monuments that celebrate the absolutism of the tsars to the epic Russian landscape as inspiration; from the design and construction of gold and glittering palaces to the minutiae of diamond-encrusted Faberge eggs; and eventually to the stark and radical paintings of the avant-garde, the journey through Russian art history is one of extraordinary beauty and surprise.