The final part examines political revolution and how art was at the forefront of throwing out 1,000 years of royal rule, from its earliest revolutionary days of enthusiasm and optimism when painting died, the poster was king and the machine-made triumphed over the handmade to the dead hand of Socialist Realism. Andrew roots out great portraits of Stalin now hidden in museum storerooms and never on public view, looks at the transformation of the Moscow metro into a great public art gallery and visits the most stunning creation of post-war Communist rule, the Space Monument. Finally, he comes to the confusion and chaos of Russia today and how it is producing some of the world's strangest art - from heroic sculptures of Russian leader Vladimir Putin to the insides of a giant erotic apple; from the recreation of the Imperial royal family facing the firing squad to sculpture in liquid oil; from Russia's embrace of the commercial art market to a return to Socialist Realism. Russia seems to stand on another brink of revolution.

On a spectacular journey through Renaissance Italy, Andrew Graham-Dixon searches for the shadowy figure who wrote one of the most important books on art and looks at some dazzling works, including masterpieces of the early Renaissance by Giotto, Masaccio and Donatello. Giorgio Vasari was the grandaddy of all art critics, travelling Italy in the 16th century for his definitive Lives of the Artists. It was a time of miracles that he named 'the Renaissance'.

Andrew Graham-Dixon retraces Vasari's footsteps for this captivating two-part film in a short Art of Italy season. He's an enthusiastic guide, lapsing easily into Italian conversation with the custodians of galleries and chapels who allow him a private view. From Brunelleschi's Duomo in Florence to less familiar marvels - a Donatello sculpture; Masaccio frescoes - he illustrates how rapidly ideas developed. A final treat for him - and us - is a tour of the Vasari Corridor, a rarely accessed gallery that zigzags across the Florentine rooftops.

Black Holes are one of the most destructive forces in the universe, capable of tearing a planet apart and swallowing an entire star. Yet scientists now believe they could hold the key to answering the ultimate question - what was there before the Big Bang? The trouble is that researching them is next to impossible. Black holes are by definition invisible and there's no scientific theory able to explain them. Meet the astronomers attempting to image a black hole for the very first time and the theoretical physicists getting ever closer to unlocking their mysteries. It's a story that takes us into the heart of a black hole and to the very edge of what we think we know about the universe.

Hosted by ABC journalist Bob Woodruff, this two-hour special explores what a worst-case future might look like if humans do not take action on current or impending problems that could threaten civilization. The problems addressed in the program include climate change, overpopulation, and misuse of energy resources. The events parallel the life of a fictitious storyteller, 'Lucy' as she describes how the events affect her life. The program included predictions of a dystopian Earth in the years 2030, 2050, 2085, and 2100 by scientists, historians, social anthropologists, and economists, including Jared Diamond, Thomas Homer-Dixon, Peter Gleick, James Howard Kunstler, Heidi Cullen, and Joseph Tainter. According to Executive Producer Michael Bicks, "this program was developed to show the worst-case scenario for human civilization. Again, we are not saying that these events will happen — rather, that if we fail to seriously address the complex problems of climate change, resource depletion and overpopulation, they are much more likely to happen.

Could nuclear fusion hold the answers to the energy crisis? It is the process that has forged all matter in the universe. It lights the stars and it is what transformed the lighter atoms that formed in the Big Bang into heavier atoms. In Can We Make a Star on Earth?, Brian Cox peers beyond the glare of our Sun to reveal the hidden forces that provide its power. He discovers how this fusion energy has kept our closest star burning for five billion years. Brian believes humanity must build a star on Earth to ensure survival. Will scientists be able to harness fusion power and achieve abundant, cheap, clean energy?