Space Race is a docu-drama chronicling the major events and characters in the American/Soviet space race. It focusses on Sergei Korolev, the Soviets' chief rocket designer, and Wernher von Braun, his American counterpart. The series was a joint effort between British, German, American and Russian production teams." In the first episode, 1944-1949, we see Wernher von Braun's work on the V-2 for the Nazis during the last years of the Second World War, his surrender to American troops and his move to the USA. We see Sergei Korolev's release from the Gulag, and how he is set to work on Soviet rockets, first attempting to copy the V-2, then building a more efficient rocket of his own.

During 1953-1958, as the Cold War intensifies, Korolev is asked to build a rocket capable of carrying a five-ton warhead to America - he designs and constructs the R-7 Semyorka, and is later allowed to use it to launch the first satellite, Sputnik 1. Meanwhile, von Braun struggles to persuade the US government to allow him to launch his own satellite - after Sputnik's launch and the failure of the US Navy to launch a Vanguard satellite, he is finally allowed to launch the first American satellite, Explorer 1.

During 1959-1961 both the Americans and Soviets are planning manned space flight, and we see both sides preparing to do so with the development of the Vostok programme (Russia) and Project Mercury (USA). After difficulties and failures on both sides, the Soviets succeed in putting Yuri Gagarin into space first, with the Americans putting Alan Shepard up shortly afterwards.

During 1964-1969 both sides now plan to put a man on the Moon - while the Soviets struggle, the Americans pull ahead in the space race with Project Gemini, but then suffer a disaster with the Apollo 1 fire. The Soviet space programme suffers its own blows: Sergei Korolev dies when his heart fails during an operation, Soyuz 1 crashes and kills cosmonaut Vladimir Komarov, and their planned moon rocket, the N-1 rocket, fails to successfully launch. In America, von Braun has difficulties with the Saturn V, but they are overcome, and the rocket successfully launches the first manned lunar mission, Apollo 8, and the first manned lunar landing, Apollo 11.

Stephen Hawking is the most famous scientist on the planet. But behind the public face lies an argument that has been raging for almost 30 years. Has he been wrong for the last 30 years? Hawking shot to fame in the world of physics when he provided a mathematical proof for the Big Bang theory. This theory showed that the entire universe exploded from a singularity, an infinitely small point with infinite density and infinite gravity. Hawking was able to come to his proof using mathematical techniques that had been developed by Roger Penrose. These techniques were however developed to deal not with the beginning of the Universe but with black holes". Science had long predicted that if a sufficiently large star collapsed at the end of its life, all the matter left in the star would be crushed into an infinitely small point with infinite gravity and infinite density – a singularity. Hawking realised that the Universe was, in effect, a black hole in reverse. Instead of matter being crushed into a singularity, the Universe began when a singularity expanded to form everything we see around us today, from stars to planets to people. Hawking realised that to come to a complete understanding of the Universe he would have to unravel the mysteries of the black hole and its paradoxes

Austrian director Michael Glawogger travels to five countries to focus on some of the worst jobs imaginable: Ukrainian miners crawl into tiny cracks in old coal pits to scratch out a few bags of winter fuel; Indonesian workers trudge long distances carrying baskets with hundreds of pounds of sulfur chunks extracted from a steaming mountain; Pakistanis risk explosions and burial under tons of scrap iron as they dismantle huge carrier ships. The visuals are everything here. Despite the hardships depicted, many sequences have a dreamlike beauty. In addition, the director has a bone-dry sense of irony; during the Ukraine scenes, he frequently cuts away to a statue of Stakhanov, the "hero" lauded by the Soviets for his superhuman work habits. He also shows us an old German smelting works that's been converted into a theme park.