Dylan Jones is in the driving seat for this authoritative four-part look back. No stone remains unturned, as he revisits the New Romantics, rap, modern dance music, hip-hop, indie jingle, synth-pop, house music and club culture. He makes the case that the 1980s was the most radical, innovative and creative decade in the history of pop because, unlike other decades, unleashed a myriad of new musical genres in just 10 years. In the first part, Dylan Jones explores how in this decade the world-conquering genres of rap, hip-hop and modern dance music were launched, while guitar-driven indie flourished in a constellation of scenes spread out across the world. And a technological revolution was changing how music was made, filling the charts with a starburst of innovative records. Meanwhile, the launch of MTV turned pop into a visual medium, allowing artists as varied as U2 and Eurythmics to take charge of how they presented themselves. Featuring interviews with Nile Rodgers, Bananarama, Primal Scream's Bobby Gillespie, Mark Ronson, Trevor Horn and Soul II Soul's Jazzie B.
The 80s was also an age of innovators and icons, of style and substance. In this chapter, Dylan Jones celebrates some of the stars who created the timeless legacy of the 1980s. From stellar BBC archive performances from the likes of Madonna, Depeche Mode, Sade, Duran Duran, Pet Shop Boys and Tina Turner to iconic MTV-era gems from Billy Idol, Eurythmics, U2, Janet Jackson, Prince and many more. It also features rarely seen archive television footage from the BBC vaults, including Terry Wogan interviewing Grace Jones, Bruce Springsteen on the Old Grey Whistle Test and Adam Ant performing his own stunts in a behind-the-scenes look at the making of the Prince Charming video.
Thirty years after his film JFK, filmmaker Oliver Stone takes viewers on a journey though recently declassified evidence in the assassination of President Kennedy -- the most consequential American murder mystery of the twentieth century. Joined by Whoopi Goldberg and Donald Sutherland, as well as a distinguished team of forensics, medical and ballistics experts, historians, and witnesses, Stone presents compelling evidence that in the Kennedy case 'conspiracy theory' is now 'conspiracy fact.'
Survivors, observers, and expert government officials recount the 1971 uprising at the Attica Correctional Facility. The violent five-day standoff between mostly Black and Latino inmates and law enforcement gripped America then, and highlights the urgent, ongoing need for reform 50 years later.
The absorbingly cinematic Ascension explores the pursuit of the 'Chinese Dream.' This observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all. Behind all, the ideology used in China to acquire acquiescence from the lower class workers in the factories, restaurants, resorts, etc who are sold a dream of one day being able to join the elite classes if they work hard enough. Almost mesmerizing with its cinematography, akin to the dreams of consumerism and the narratives of wealth that are being sold to the underclass workers, the film nicely illustrates the Chinese economy of the present.
This second instalment looks at how Vladimir Putin arrived in the Kremlin as a vulnerable and unknown president, whom the Russian oligarchs expect to control. The programme reveals how he asserted his hold on power and ultimately surrounded himself with his KGB peers, as well as his philosophy as regards traitors and enemies. The film also examines the stories of businessman Boris Berezovsky and defector Alexander Litvinenko, who both stood up to Putin and wound up dead on British soil.
In the first part, Dylan Jones explores how in this decade the world-conquering genres of rap, hip-hop and modern dance music were launched, while guitar-driven indie flourished in a constellation of scenes spread out across the world. And a technological revolution was changing how music was made, filling the charts with a starburst of innovative records. Meanwhile, the launch of MTV turned pop into a visual medium, allowing artists as varied as U2 and Eurythmics to take charge of how they presented themselves. Featuring interviews with Nile Rodgers, Bananarama, Primal Scream's Bobby Gillespie, Mark Ronson, Trevor Horn and Soul II Soul's Jazzie B.