Seven years have passed since Antony's departure from Rome, and the former commander, dissipated and debauched - held in thrall by the charms and sexual prowess of his new bride, Cleopatra, withholds precious shipments of grain from Rome, where people die in the streets from hunger.
Unable to incite a war with Antony and Egypt without committing political suicide, Octavian sends Atia and Octavia to Alexandria to mediate and reason with Antony; a strategy which proves predictably unsuccessful.

New York City, September 11, 2001. The morning everything changed.102 minutes passed between the first plane's impact into One World Trade Center, the second plane's attack on Two World Trade Center, and the eventual collapse of both buildings. In that time, people around New York experienced a range of emotions. Despite the horror and the incomprehensibility of what was happening, many knew, somehow, that they had a unique responsibility to record what they saw. They reached for their cameras.
This unprecedented documentary special joins hundreds of pieces of their footage and audiotape into a single, seamless historical record. It is an intensely personal perspective of the tragedy, communicating for the first time that morning s events, as they were experienced by people around New York. It is an evocative, authentic and reverential memorial to one of the most cataclysmic events in world history.

Richard Rudgley goes in search of evidence of the barbarians of the dark ages, people whose names have for 1500 years been bywords for mindless brutality. The real truth about the barbarians who marched across Europe during the Dark Ages is more shocking than what you may know. Where did they come from? Who are their descendants? Are any of their techniques and inventions still used? Richard discovers the secrets of forgotten empires, and of mighty clashes throughout Europe. The art, society and cultural legacy of the barbarians are shown to have shaped and moulded the destiny of Europe even more than the Roman Empire.
In the first part of the journey through the Dark Ages we will be tracing the legacies of the Huns, Vandals and Goths, to ask whether the 'dark ages' represent a resurfacing of much older tribal lines. Sites in Austria show how sophisticated pre-Roman communities had become with evidence of stunning craftsmanship and sophisticated farming techniques which defy the image of a mindless rabble we have come to accept without challenge.

On the second part of his journey through the dark ages Richard Rudgley continues into the age of the wandering peoples, the Volkerwanderung. These Northern people enjoyed a golden age unaffected by Rome and just 30 years after the Romans relinquished Britain, the 'Anglo-Saxons' made their move. The bedraggled legions are in retreat. Walls are pulled down. Mosaics shattered. And yet there never was a people called Anglo-Saxon. We look at the lasting influence of Saxon leaders like Alfred the Great, and his blue print for social justice.

Without words, Ron Fricke shows us the world, with an emphasis not on 'where,' but on 'what's there.' It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky. (Click CC for places description)

The film is the long-awaited reunion concert of the renowned folk pop music duo, more than a decade after their separation as musical performers. It was recorded on the 19th September 1981 at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of an audience reported at the time as 500,000 people. The film includes two songs that had not appeared on the album.
Rolling Stone called the concert 'one of the finest performances, one that vividly recaptured another time, an era when well-crafted, melodic pop bore meanings that stretched beyond the musical sphere and into the realms of culture and politics.'