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Mea Maxima Culpa: Silence in the House of God

   2012    Culture
Alex Gibney explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all the way to the Vatican. The title is derived from the Latin phrase "mea maxima culpa". It is taken from the Confiteor that is part of the Roman Catholic Mass. It translates into English as "My most grievous fault" The film examines the abuse of power in the Catholic Church system through the story of four deaf men who set out to expose the priest who abused them during the mid-1960s. Each of the men brought forth the first known case of public protest against clerical sex abuse, which later lead to the sex scandal case known as the Lawrence Murphy case. Through their case the film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through Ireland's churches, all the way to the highest office of the Vatican.

How to Make Money Selling Drugs

   2012    Culture
A shockingly candid examination of how a street dealer can rise to cartel lord with relative ease, How to Make Money Selling Drugs is an insider's guide to the violent but extremely lucrative drug industry. Told from the perspective of former drug dealers, and featuring interviews with rights advocates Russell Simmons, Susan Sarandon, and David Simon, the film gives you the lessons you need to start your own drug empire while exposing the corruption behind the "war on drugs".

The Punk Syndrome

   2012    Culture
Follow a Finnish punk rock band whose members all are developmentally disabled, living with autism and Down syndrome. The film employs a cinéma vérité style, meaning it doesn't provide a commentary or explanatory captions to what is seen on screen. The film shows the band members using punk music as an outlet to their frustration with everyday things, such as living in a group home, not being served coffee because of their disability and so on. The film has been said to open a window to the world of the disabled

We Are Legion The Story of the Hacktivists

   2012    Culture
The film takes us inside the complex culture and history of Anonymous. The film explores early hacktivist groups like Cult of the Dead Cow and Electronic Disturbance Theater, and then moves to Anonymous’ own raucous and unruly beginnings on the website 4Chan. Through interviews with current members – some recently returned from prison, others still awaiting trial – as well as writers, academics and major players in various “raids,” WE ARE LEGION traces the collective’s breathtaking evolution from merry pranksters to a full-blown, global movement, one armed with new weapons of civil disobedience for an online world.

The Gatekeepers

   2012    Culture
(Click CC for subtitles) Charged with overseeing Israel's war on terror-both Palestinian and Jewish- the head of the Shin Bet, Israel's secret service is present at the crossroad of every decision made. For the first time ever six former heads of the agency agreed to share their insights and reflect publicly on their actions and decisions. The Gatekeepers offers an exclusive account of the sum of their success and failures. It validates the reasons that each man individually and the six as a group came to reconsider their hard-line positions and advocate a conciliatory approach toward their enemies based on a two-state solution.

Narco Cultura

   2012    Culture
A documentary feature on the explosive narco culture, a phenomenon blurring the lines between war and entertainment. To a growing number of Mexicans and Latinos in the Americas, the Narco Traffickers represent the only models of fame and success, the only way out of the ghetto. This is the untold story behind the drug war, an unstoppable cycle that has created a culture of addiction on both sides of the border — addiction to the vanity of money, drugs and violence. These are the personal stories of those entangled in this war, from the musicians who profit by glorifying violence, to the man who collects the bodies the morning after.
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