It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker.

Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Killing Kennedy begins in 1959, at major turning points for both the future president and his assassin. John F. Kennedy (played by Rob Lowe) is in Washington, D.C., preparing to announce his presidential candidacy, while Lee Harvey Oswald finds himself in the U.S. embassy in Moscow, renouncing his U.S. citizenship. These two events start both men-one a member of one of the United States' most wealthy and powerful families, the other a disillusioned former Marine and Marxist-on a cataclysmic track that would alter the course of history". Throughout the film, we see their highs and lows, culminating in not one but two shocking deaths that stunned the nation. Based on the best-selling book by Bill O'Reilly and Martin Dugard.

The Joker, Lex Luthor, Catwoman, Doomsday, Bane. What makes them so thrillingly watchable? So terribly wonderful? So extremely vital to our super heroes and their worlds? This feature-length documentary explores these questions across seven decades of DC Comics’ hallowed Rogues’ Gallery of infamous evildoers.
Narrated by esteemed film villain Christopher Lee,examines the tortured psyches of your favorite animation, comic book, game, TV and feature film baddies – both from the past and into the future – against the backdrop of culture, history and society. Insights from famed creators and storytellers, including Zack Snyder, Guillermo del Toro, Jim Lee, Geoff Johns and Richard Donner, shine a fascinating light on those malevolent, charismatic characters who thrive in the dark.

JFK and the Bay of Pigs; on the brink of total war during Cuban Missile Crisis; early Vietnam; JFK's attempts at peace with Khrushchev; JFK assassinated.

Stone opens the episode on Vietnam with a review of American intervention in Latin America. Lyndon Johnson, according to Stone, disregarded JFK’s “memo” about withdrawing troops and instead escalated. The Cataclysm in Vietnam as the war reaches a turning point - there's no going back. The betrayal by Richard Nixon.