Science

Scientists genuinely don't know what most of our universe is made of. The atoms we're made from only make up four per cent. The rest is dark matter and dark energy (for 'dark', read 'don't know'). The Large Hadron Collider at CERN has been upgraded. When it's switched on in March 2015, its collisions will have twice the energy they did before. The hope is that scientists will discover the identity of dark matter in the debris. The stakes are high - because if dark matter fails to show itself, it might mean that physics itself needs a rethink.

Professor Richard Fortey delves into the fascinating and normally-hidden kingdom of fungi. From their spectacular birth, through their secretive underground life to their final explosive death, Richard reveals a remarkable world that few of us understand or even realise exists - yet all life on Earth depends on it. In a specially-built mushroom lab, with the help of mycologist Dr Patrick Hickey and some state-of-the-art technology, Richard brings to life the secret world of mushrooms as never seen before and reveals the spectacular abilities of fungi to break down waste and sustain new plant life, keeping our planet alive. Beyond the lab, Richard travels across Britain and beyond to show us the biggest, fastest and most deadly organisms on the planet - all of them fungi. He reveals their almost magical powers that have world-changing potential - opening up new frontiers in science, medicine and technology.

The concept of a digital, decentralized currency is questioning things and the answers being spilled out are deep-seated, long-standing propositions that place a magnifying glass onto the seemingly untouchable financial institutions at the base of modern commerce. What may be uncovered in the philosophical, political, and economic questions could have radical implications for the rest of the 21st century". The documenteray ushers us in, not to explore simply Bitcoin, but to hint at the basis of trade, commerce, and civil society. Director Torsten's story of money is one filled with promise like a sunrise over a landscape of human spirit.

The digital era gives rise to unprecedented opportunity to exploit, and be exploited. Troves of child pornography are available at the click of a mouse. Who are these children - and who profits from their abuse? While facilitating the darker side of our impulses, technology is also being touted as a cure to rehabilitate predators. In this episode meet the children who are forced to perform sex acts on camera; people who use the same technology to protect kids and nab the perpetrators; plus, a pedophile who reveals the roots of his addiction.

A compelling (and sometimes humorous) look at the rise and proliferation of this social phenomenon from several varying perspectives and how the lives of those engaged in it are affected. Throughout the course of the film, we examine nearly every aspect of what has become a national and international pastime. A vast range of opinions give their input about this delicate subject and, as such, discussions with notable figures in the entertainment, political and medical fields (among others) are included. The film touches on the many high profile scandals surrounding public officials and the resulting consequences of their actions. In stark contrast, an honest look at the possibility of sexting as a positive development within the framework of healthy relationships is also presented. Sexting exists and is not likely to disappear anytime soon. "ADDICTED TO SEXTING" shows the why, how and what possible purpose it serves.

the rise and fall of a tech industry prodigy. Interviews with his friends and loved ones paint a portrait of Swartz as a martyr of freedom of information and hail his fight for the public's right to access tax-funded academic and scientific research, culminating in a personally devastating two-year Federal lawsuit." An avid researcher who had previously accessed otherwise private databases, Swartz, acting "in the grand tradition of civil disobedience to declare... opposition to this private theft of public culture" used MIT computers to access tax-funded research that would otherwise be held privately by for-profit publishers, an incident many viewers may remember from national headlines just a few year ago. Though neither MIT nor the digital repository Swartz accessed pressed charges, a US Attorney stepped in and filed a 13-count felony charge against Swartz, threatening him with over $1 million in fines and up to 35 years of jail time. Despite the defense of his peers, these events launched Swartz into a two-year long downward spiral of withdrawal and depression. Aaron Swartz's untimely death at the age of 26.